Interview
What do you write?
My writing usually rides the line between contemporary and magical realism. Some things I like to include are covens, lakes at sunrise, obelisks, pink lipstick, and the Pacific Northwest.
Is there an author or artist who has most profoundly influenced your work?
My literary role-model is Aimee Bender, author of The Particular Sadness of Lemon Cake, among other things. As for my visual art, I do collages that can be found at @coven.art on Instagram. I draw inspiration from Basquiat as well as Dadaism in general.
Why did you choose Stonecoast?
I chose Stonecoast because it has a reputation for being open and inclusive, which is very important to me. I was also attracted to the low-residency aspect because I am rooted in Washington State.
What is your favorite Stonecoast memory?
I just had my first Stonecoast residency, and my favorite memories so far were being introduced to the distinguished faculty and the anticipation of being assigned my first mentor.
What do you hope to accomplish in the future?
After I graduate from Stonecoast, I hope to publish a novel before I am 30 and get a job in publishing.
If you could have written one book, story, or poem that already exists, which would you choose?
That’s a hard question. I have two. The short story “Orientation” by Daniel Orozco, which is a story in second-person point-of-view about getting oriented in a new office where everything is normal except when it’s not. I’d also pick the short story “The Not-Needed Forest” by Diane Cook, which is about where boys go when they are Not Needed. They are both examples of how I want to write because they seem realistic, but with a few key things sort of twisted.
Featured Work
How to Be a Cool Kid
The following is a work of flash fiction exclusively for Stonecoast Review.
You’re in the front seat of Justin’s car with your head out the window as Justin rips donuts around an empty Safeway parking lot. Lindsey and Natasha are in the backseat, touching your shoulders like you are their king. Your Converse shoes dangle from a telephone wire, illuminated by the bright Safeway sign. The car is all that anchors you to Earth as you spin around and around. It’s your night. You really are the king. The screech of the tires reminds you of a scream, long and loud, until you realize that it’s you, you’re yelling into the night. No words, just inarticulate sounds from the depths of your body. You feel awake, so very awake. You can’t remember ever feeling this alive.
When the car finally comes to a stop, you all look at each other. All of you have the same grin. Natasha is wearing pink-tinted sunglasses and Lindsey pops green bubblegum with her sharp-girl teeth. All of you are dizzy and nostalgic. The endless night sky harbors smoky clouds and they drift lazily in the light of the moon. Your shoes twirl in a gust of wind. He won’t come without the signal, Justin said while throwing your Converse over the wire.
You need some air, and so you exit the car. Your sock-feet hit the cold cement and you shut the door. Lindsey gets out and takes your spot in the front seat. Natasha, still punch-drunk from spinning in the car, gets out too. You lean on the hood, and Natasha staggers over to you.
Do you think he’ll be here soon? she asks.
Her hair is natural and curly, tiny springs. You want to smell her perfume, but you don’t. Lindsey and Justin are kissing in the car.
You say, I don’t know, this is Justin’s area of expertise.
A bat swoops low over the two of you. Natasha shrieks and grabs you. Is this the moment? The bat is gone, but you feel it fluttering desperately in your ribcage. The darkness conceals this very uncool reaction. She lets go of you. You’ve ruined your chance to kiss her. She fluffs her hair and looks at you.
Have you done this before? she asks.
You wonder what answer she’s hoping for. You want to give her what she wants. You want to slice open the moon and watch her eat it like a melon.
No, you say.
Me either, she says, but Lindsey’s always roping me into things.
She looks toward the skyline. You watch her jaw muscles tense, and then she softens and smiles at you.
A car enters the parking lot and stops fifty feet away. The driver flashes the lights once. Twice. Justin hasn’t noticed. You tap on the window and nod toward the car. Justin hastens to disentangle himself from Lindsey. He gets out, pulling Lindsey across the bench seats like a pet. She yanks her hand out of his and gets out on her own.
The four of you pause for a moment, looking at the car. It’s a Nissan Leaf, a black one. You’re surprised to see that it’s an electric car, but then again, you weren’t sure what to expect.
Justin starts toward the car.
Lindsey says, Are you sure?
Yeah, says Justin, I know him. Well, my brother knows him.
Justin slaps you on the back.
Come with me, Michael, he says. He walks confidently to the car, and you follow.
A dude, not a man or a boy, definitely a dude, rolls down the tinted window as you walk up. He’s wearing a snapback low over his eyes and he has a mustache that you would expect to see on a serial killer.
You have cash? says the stranger.
Justin takes out his wallet. He hands forty dollars to the stranger, who takes it and sets it on the dashboard. The stranger produces a small plastic baggie from the depths of his jeans pocket. The baggie contains four little capsules. He hands the baggie to Justin, and without a word, the stranger rolls up his window and speeds away, not bothering to use his turn signal at the corner.
Back in Justin’s car, Justin hands one pill to each of you, excluding Lindsey. He places her pill directly onto her tongue. She swallows it and licks her crimson lips. You notice that Justin has her lipstick on his lips too. You, Natasha, and Justin all take your pills together. The whole time you feel the pill roll down your throat you’re wondering if you’ll ever get your shoes back.
Blast off, Justin says.
Natasha tucks her hand in yours and it’s electric. Soon, the night starts to turn sharper, crystalline. The four of you melt back into the car. Through the windshield, colors blossom, and you wonder if you’re rolling or if it’s just the rising sun.
Delaney S. Saul is a trickster imp living in Bellingham, Washington. She is a long-distance student in University of Southern Maine’s Stonecoast MFA program. Her work has been featured in Gone Lawn, The Molotov Cocktail, and Leopardskin & Limes. Her three favorite animals are snails, flamingos, and lobsters. Her Twitter is @DelaneySSaul and her Instagram is @slimegrrl.