By Jessica Cohn
SCENE. The dark side of the ocean. Horizon and heaven, in their usual positions. A rounded moon, stricken white. Stars, like bright tacks. The water, confessing over and over what changes, what doesn’t.
VOICEOVER. Plath likened the mind to light, called it cold and planetary.
And I’m faraway like that, strolling with ice cream, when a stranger in a hoodie
jumps up from the rock wall. Under streetlight, his eyeglasses flash, then
a gun barrel, because—America. It’s no toy. It’s a telescope, big as a cannon.
THE MAN says, Here. And ready or not, the man with the telescope is
talking to me. He sets a tripod, with a click. A young woman with bracelets
over wristbands steps over, asks for a look. He gives her space to see.
RANDOM GIRL (sound of shuffling) My God!
AND I believe her. People start to pace in concentric circles on the pebbled
sidewalk, like seagulls around a taco wrapper, to see for themselves how
looking down can be looking up, how an eyepiece can fill with bright
wilderness over broken ocean, and how you can lose your mind there,
in Tycho’s stare.
Man with the moon trains on the southern crater, and on my turn I see
ejecta rays, the black bloodshot glow of a shared eye. When Galileo first saw
the moon up close, he thought to measure changes in its shadows—to give us
a new universe, Earth, no longer centered. And on my turn, I can see how
a glimpse can change even decayed orbits of the mind. Man with the moon
yaks on about astronomy club, how they were out at the Pinnacles, sleeping
under warm stars they knew how to name. He made the scope himself—
and I cannot fathom that precision, not as he fixes on the white rings of Saturn,
looking like the disks tossed at pins at the boardwalk. Not as I see—it’s so clear—
I have mistaken planets for stars all my life. While Saturn, circled by our attention,
suddenly glows brighter and we become celestial in kind:
the elderly woman with the hump,
the wide man with his beery breath,
the busser with the cough,
the long-married couple in their date-night clothes.
Jessica Cohn’s first poetry collection, GRATITUDE DIARY (Main Street Rag), is set for publication in fall 2024. In addition to poems, she’s written nonfiction books, fiction, news, features and more, mainly in the field of educational publishing. A Michigan native, Cohn has made homes in Illinois, New York, and most recently, California, where she has developed her poetry practice with the support of the Santa Cruz community of writers. For more, visit jessicacohn.net.
This poem originally appeared in Stonecoast Review Issue 21.
Photo by Jeremy Thomas