By Beneth Goldschmidt-Sauer
CHAIR (French, flesh)
When I try to tell you how a body becomes ceded territory I could
start by telling you I can’t leave the car’s heater at 69 degrees.
Or it’s my mind. The numbers between 72 to 74 are
problematic also, that’s when men first noticed my breasts and told me
while I strode gleaming from the lake at dusk or sometimes even
under the fluorescent lights in the halls at school, that weird fizzy
hum atop everything, male bodies below like blunt force
pushing towards history or math, elbows
sharp as the symbol for angle in my side
after the laughter. Pity is a pretty flower with a weak stem though, every
girl can tell a version of this story, how her body tried to be a garden
but became a pulpy catalogue instead, not even glossy, that anyone
could get and paw through, licking their fingers to turn the pages.
The first time I had sex (’77) the boy
said it was like moving furniture. He said it with a kind of
exasperation, like he’d expected an experience of grace and instead
got a storage unit he had to fill without pay. Later,
he put his hand on the back of my neck and pushed down hard
and when I realized what he wanted me to do I think my mid-century
self, simple, functional and with a muted grain
did what he wanted but retreated further
into my rococo mind, leaving the planks of my body behind.
BENETH GOLDSCHMIDT-SAUER is a retired English teacher who, after 36+ years in the classroom, received her MFA in fiction/poetry (a life-long dream). She lives in Vermont with her partner and child; her grown daughter lives in Brooklyn.
This poem originally appeared in Stonecoast Review Issue 22.
Photo by Annie Spratt