Ever After

By Gibson Fay-LeBlanc

I don’t know how my brother forgave

the doctor who missed the melanoma

on his scalp and tried to freeze it off

before it came back and was everywhere.

 

Or how he let his body be cut, radiated,

sequenced, lasered, scanned, poisoned

for eight years. My body still aches

that his is not here, not anywhere. 

 

This week, two men, George and Antwan,

were shot by police, one for sleeping

in his car, another for holding an air

rifle, each someone’s brother.

 

This four-hundred-year-old cancer

with cells that divide, repli­cate, spread

and grew from men’s greed into

ideas about bodies’ pigments,

 

the same melanocytes that ran amok

inside my brother. We shoot first

and ask ques­tions later, my father

posted on the sign at his gate.

 

My pink skin easily burns. My luck

wraps around the world like a god’s arms.

I have this one hidden place where

my brother and mother were. There are

 

fields, endless, Amer­i­can, full of holes

that each lead to an under­ground network

of caves filled with eye­lash­es, a crooked lip,

a certain chuckle, an eye’s par­tic­u­lar brown.

 

Am I also just waving a flag on which

I’ve painted, I’m one of the good ones?

Let’s agree to no more signs or flags or statues

except those with the names of people we

 

should not have lost. Person on the low end

of the melanin-spec­trum, I’m talking just to you

right now. You, Dad. The week by his bedside

you barely slept. We have to check our skin

 

and square our pain with wildflower-cratered

hollows and fields in every direction

if you look. My brother’s gone from cancer—

not a night­stick sixteen gen­er­a­tions long.

 

 

GIBSON FAY-LEBLANC’s first col­lec­tion of poems, Death of a Ven­tril­o­quist, won the Vassar Miller Prize and was fea­tured by Poets & Writers, and his second, Deke Dangle Dive, was pub­lished by CavanKer­ry Press in 2021. His poems have appeared in mag­a­zines includ­ing the New Repub­lic, Tin House, Nar­ra­tive Mag­a­zine, Poetry North­west, and Orion. He has helped lead com­mu­ni­ty arts orga­ni­za­tions includ­ing The Telling Room, SPACE Gallery, and Hewnoaks, and cur­rent­ly serves as Exec­u­tive Direc­tor of the Maine Writers & Pub­lish­ers Alliance.

 

This poem orig­i­nal­ly appeared in Stonecoast Review Issue 22. 

Photo by Jens Lelie

© 2024 Stonecoast Review. Indi­vid­ual copy­rights held by contributors.

The Stonecoast Review is the lit­er­ary journal of the Stonecoast MFA at the Uni­ver­si­ty of South­ern Maine.

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