By Emma Sheppard
I’ll tell you that my legs were swinging off the exam table. But it was an MRI machine and I don’t know how to phrase that. And I’m six feet tall and my legs don’t particularly swing off anything. But I’ll tell you that my legs were swinging off the exam table because in my head I felt childlike. Though my concerns were anything but childlike. They were about to stick a needle in my breast (I think) to take out cells (I think) to test them for cancer (I know) because there’s an error in my genetic code (I think) that means at 32 this is a clear and present danger (I know). I don’t know all of the answers to all of the questions because all I asked about were scars. “The thing is … sometimes people still like … you know … I’m still out here … sometimes men still see my boobs.”
It felt like a confession. Not a confession of all of the men who have seen my breasts. Who at some point in the future I’ll want to see my breasts. But a confession that I have just learned to be this woman. The woman that enjoys men who enjoy my breasts almost as much as they enjoy my ass. The woman who buys bras with padding I don’t particularly need, and lace I don’t particularly want to like. The woman who gifted herself a tattoo mere inches under where they’re preparing to insert this needle. I have fought to love this body. They tell me there’s an 80% chance that at some point I’ll be at war with this body. And so all I want to know about is scars. All I want to know is if these pre-battles, this training ground of tests and screenings and precaution will be marked on my body. If I’ll have to explain it to the next man I’m willing to let into my bed, but not into my story. If I’ll have to explain to myself. That I’ll be ok. That I don’t know if I’ll be ok.
The threat passes quickly. The scar fades. Slowly. I am never asked to explain it. I still don’t know how.
EMMA SHEPPARD is (she/her) is an English professor, teacher educator, and writer living in Toronto, ON. She writes on issues of identity, community, grief, family, and more. Her work can be found forthcoming in Eloquentia Literary Magazine, Minimag and The Bookends Review, as well as at substack.com/@emmacshep.
This poem is part of the online edition of Stonecoast Review Issue 22.
Photo by Dalton Smith