By Arcadia C. Taylor
The arm hasn’t quite taken yet; it hangs at my side like a dense lop of meat on a hook in a butcher shop window. I’ve probably come back too soon, but work won’t wait. The arm itself is too long, the fingertips numb as I clench and unclench the hand—a claw crane grasping at an impossible prize. The veins bulge and worm their way across the skin. The cold doesn’t help with dexterity. Winter has settled in, and I can see that the industrial fields are plated with frost this morning. To the east, neighbourhoods are tossed carelessly on top of each other under a sky grey as cement. As I drag myself up the stairs to the station platform, the air sends icy spurs into my lungs.
I favour my originals, of which there are few. I look up at my hand now, curled around the vertical bar in the cramped train car. Narrow, strong, weathered. Around me, others hold on with their various ill-assorted limbs. On the public lines, there are only Shelleys. I’ve finally conceded to the nickname—it’s infinitely better than ‘Frankies’ which I assume is passed around behind closed doors with looks of pity or revulsion, or in tasteless company. The pity and revulsion still make it out into the open. The train jolts forward, and we all collectively sway. We’re like a Hieronymus Bosch painting. Garden of Earthly Horrors.
You’ll never see an R.E. anywhere near a public train. Real and Educated individuals are chauffeured pleasantly here and there with their barbered hair and heathered peacoats, their non-modified youth or silvery aging grace. I keep a paperback shoved into the back sling pocket of my exo-suit. I often sit reading on my crumb of a break in the underground food court, nursing a greasy coffee, surrounded by Shelleys munching colourfully branded garbage. An R.E. will occasionally float down from one of the manicured Think buildings and venture into the fluorescent lighting. They rarely look anyone in the eye, slyly moving their gaze over someone’s broken back inside an arachnidian metal brace or a freckled thorax cobbled to a smooth shoulder. Labourers barely held together, guffawing over fries, building the cities. Remember when immortals were Gods instead of monsters? Something I read long ago in an underground newsletter, back when riots still bubbled up occasionally. I watch the R.E. over the edge of my page, prickled with a covetous ache. Having gotten an eyeful, they retreat to their minty juice bars and gentle ergonomic chambers. With a book in my hand, I might be spared from the grimace reserved for a beetle on the tablecloth.
Afterwards, I jostle with the commuter crowd into the manual-labour sector. It’s especially dull here. Only the underside of the gulls glow with reflected dawn as they sail above concrete buildings. My eyes pass tepidly over windowless factories and rasping worksites. Unfailingly, my mind gravitates to the past.
I was what they called a promising candidate, agreeably philosophical. The same went for my lover, another young adult scooped up from the labour pipeline in the fledgling days of the Full Human Experience initiative. More experimental projects existed back then, but the risk of empathetic incitement was too high, with familial relations left muddied and suffering in the workforce. Nowadays it’s only the impossible scholarships. We were acutely aware of our luck and would curl around each other in bed, whispering and biting. We played chess and mended our small quarrels by reading poetry until our hands interlocked and the kissing started up again. Instructors approved of our Mutual Bonding.
We were moved into an R.E. apartment with a lemony colour palette and real wood floors. Soon after, we welcomed a child together. As the infant overturned the first delicate, wondrous year, the world opened like a cushiony mollusc with us at the centre. We soared toward Adult Knowledge, but never made it to LEVEL 3. I didn’t watch my love grow pallid, or tearfully press parting words onto a papery hand, there was simply a body, which I saw only once, and then an absence.
“An ascended position,” the R.E. agreed, nodding reverently around bouquets of fragrant lilies and wet, faintly sweet cakes. “And natural too.”
“Accelerated knowledge,” they said, and smiled beneath the large LEVEL 7 banner that stretched in pale blue silk above the urn.
“Skipped a few grades!” winked a garish acquaintance, elbowing me and pumping my arm like I’d just won a great game, rather than lost the love of my life. I stood beside the urn atop its graceful plinth. It was both funeral and graduation. I was devastated.
All at once, I couldn’t stand the pseudo-naturalistic ideals of the R.E.s. I curdled at the passivity of The Full Human Experience. Every night, I felt a clanging void in my chest. During the day, I merely existed, my mind fuzzy with what felt like sickly blue spores.
The child didn’t wail, only looked at me with wet, credulous eyes.
My studies quickly dissipated, and the R.E. infant centre began denying care, the nurturists turning away from my sour breath as I arrived late for pickup, thick with the sorrow they refuted. I stopped thinking about being Real and Educated and started hunting for a way to avoid the clanging, the baby heavy and impossible in my arms.
One bleary-eyed night, when sleep ran circles around me and the baby settled into a shallow slumber, I scored a bag of Limbo. It was so easy, slipping the sachet of powdery green tablets into my pocket while still wearing my house slippers. The area hadn’t changed in years, and the dealers were obvious. I walked the same thin streets where I’d huddled on unadorned front stoops with a handful of other youths. Juvenile mutilations were of the chosen variety: cheeks impaled with decorative thorns and ears blooming into pale cauliflower gobbets. I wasn’t bold or a fighter, so I had neither. We watched seasoned Shelleys as they wearily pocketed their fix, eyeing our near and certain future with disinterest.
Only one or two windows blushed warmly with shame as I walked down the empty streets and back to the apartment on the edge of the tidy R.E. neighbourhood. Palming the bittersweet package, I registered only that the baby was stirring gently before receding to the back room. Soon the uproar of sorrow quieted. I got another bag, and another.
Weeks passed mercurially and I haunt myself now, questioning whether I missed signs of the hereditary damnation, even as I fed and bathed the child. I went to the crib one sallow dawn and found the small body, rigid and curled, like an empty seashell. When the address registered in the system as R.E. district, no real help came, only a physician who made a brief assessment then withdrew to the edge of the room, and a trio of shining-eyed patricians wearing blue silk sashes and white gloves. One of them held a box with a handle—it looked as if it should encase a violin—and stood with the immaculate posture of privilege and duty. A Full Human Experience so near its inception was a miracle to them. I felt my blood go to ash and emptied my insides onto the hallway carpet as they filed inside. I cried out, grasping at their sleeves, until the physician appeared and closed a hand sedately around my wrist. When they left ceremoniously, with decorous mouths and avoidant eyes, I lay down beside the sick.
The sun rose monstrously and sunk down again, throwing bowed shadows of my form around me. Tears surged and I did not move. Salt and mucus dried on my face. The night pressed itself into the room. Suddenly, as if with the jarring realization of waking in the wrong body, I raised myself from the floor with shaking limbs and left the apartment, sentencing my ruinous life as I tore madly down the staircase.
I existed wherever I could be close to a supply of the chalky green pills—in creaky, hot rooms above Shelley markets slick with fetid fish, a damp, itchy couch in a brick building condemned by fire, under a deck on an old lawn chair cushion surrounded by rot and mildew. I stayed in Limbo during all of my conscious hours, twisting away from the searing image of my child watching me like an owlet. Addiction suckled insatiably on my grief. It fed and grew rapidly until it was pacing and ravaging like a Minotaur. I welcomed my isolation, the nights peppered with the scrabbling of rats.
With my Personal Resources drained, I was marked by the labour pipeline and picked up by an agent who descended on me smoothly like a well-mannered phantom. In Limbo, I could be led like a lamb into the white mobile unit with its waiting physician within, shrouded in an air of medical violence. I awoke with a vital monitor, hard as a locket in my chest. They placed me with Cell Construction Corp, no experience required. My body went through the motions of gruelling manual labour while my mind cowered in a shadowy intoxicated maze.
“Hey, what’s up with you today? Look alive!”
“My mind is on vac-a-a-a-tion,” I’d drawl slushily, adjusting my hard hat. I wasn’t me. I wasn’t anyone.
When I emerged into relative sobriety, saturnine and bleary, it was with five replacements: tongue, liver, one lung, and both legs. Exo-suits are protective, but they can’t shield from internal substance-use damage or a seventeen-story fall. Titanium and transplants resolve the wreckage, neuroplastic sobriety programs clear away Limbo fog. Shelleys go into reconstructive centres as a pulverized mass and leave unfathomably stitched together, with just enough strength and clarity to go on labouring. Legally, it’s always deemed worker fault, and the labour debt only grows. Addictions are dispelled and formed again over time. The arm happened last year—the job is a dangerous hellscape even without drugs. I spent my sparse recovery time alone on a tenuous cot, counting the maddening fruit flies that orbited my sour rations while the nerves merged tediously. No physician will extract a vital monitor, but I wondered if I could try hacking it out with a blade.
I try to lift the arm now as I pass by an alley and catch sight of the R.E. district moving along like an ebullient stream. The two neighbourhoods run parallel to one another, alternate realities slipping by without acknowledgment. The R.E. district is lined with cherry trees that flower violently pink in the spring, while the Shelley streets remain bare as bone, congested only by workers.
A Think building is the centrepiece for any R.E. district. The businesses and shops flow outward from the towering rosy glass: restaurant gardens where lofty elders take their lunch of herbaceous tea and righteous conversation. The art of living well and the art of dying well are one, the signs read. Below are menu choices of hibiscus lemonade and saffron rice.
Domed spas show R.E.s glinting like goldfish within, lolling by saltwater pools and oiling their matching limbs. R.E. youth stroll arm in arm, unscathed by hardship or artful maiming. It’s a careful life, any risk outsourced neatly to the Shelley population. Labourers who’ve stayed mostly whole work in Services; inside of, but never a part of this perfumed guild. The crematoriums boast elaborate blue marble. Marble excavation has taken its fair share of Shelley blood, but the structures are both creamy and alluring.
I’ve never been inside a Think building. Access is granted at LEVEL 5. Nearly everyone passing through the whispering doorways is an elder, but there are rumours of prodigies who glimmer with exception in the upper salons. They are said to lecture on their accelerated Human Experiences, telling surreptitiously of all-encompassing bodily pleasures brought forth only by the mind or ice bathing for deep emotional fortitude. The elders sort out oceanic desalinization and commerce at the heart of the operation. So I hear. I doubt that labour pipeline ethics ever come up beyond a few volunteer initiatives and the decision to give everyone a bit of free cake on the eve of the Magnolia Festival, which we are not permitted to miss work for. The authors of the Full Human Experience initiative are unknown, the cradling body of knowledge presented as confidently inherent. The nebulous inner workings of the Think building are as unreachable as the zenith itself, which disappears impossibly into the rolling troposphere. The closest any Shelley will ever come to its meaning or benefit is by dangling precariously on the outside during construction.
You’ll never hear anyone admit that the Shelleys are illiterate, or that the ability to read has simply atrophied, but as one district shifts to the next, the signage sheepishly changes from word to pictograph. My coworkers are fond of rolling their eyes and moaning, “I don’t have time to read.” It’s true, outside of work, there’s scant time to eat the vulgar food court meals or visit a Shelley market with its array of limp, overpriced vegetables, lurch home on a teeming train, and fall into an exhausted sleep. But I remember my lover breathing pleasantly into my neck, correcting the pronunciation of a word as I read aloud in bed. I often trade ration times for this one solace. The shabby library I visit is a relic and barely functioning, part of a self-congratulatory Think program. I’m usually alone with the books, aside from the librarian who regards me politely. An R.E. volunteer on track to LEVEL 4.
Looking up at the Think building, I numbly long for what I can no longer have. Every day, I imagine closing my eyes and shutting down slowly and completely, atoms burning off into darkness like the lonely sparks from overnight construction. The scholarships are touted in workforce mobilizing efforts: a Shelley enjoying their hard-earned rest at last, framed by milky blue, looking out blankly, serenely, from a billboard along the train tracks. I’ve never met a Shelley who went on to graduate, but there’s always some distantly acquainted success story. Someone who was finally able to bank the hours and pay off their labour debt.
I shamble up to the current worksite. The legs aren’t a true set, and they’re not exactly balanced. After years of use, I still haven’t fully synchronized. Our crew encircles a supervisor who doles out tasks. We’re all zipped into the exo-suits, a cast of haggard crustaceans leaning on shovels and tipping back the last drops of syrupy coffee. I can see some of the other workers are already glassy-eyed, taking the edge off the day with a bit of Limbo. The supervisor chooses not to notice. Our digging and drilling are ceaseless. When someone’s finger inevitably gets ripped off or they fall through an unmarked hole, they’re carted away without pause. They’ll be back eventually, and the screams blend in, more or less, with the whining of machinery.
At 300 second rest, the din of conversation sinks to a low intentional murmur, and my ears prick up—any useful bit of news comes in such chary exchanges. A worker wearing a hard hat decorated with peeling stickers side mouths, “Graduation medicine,” to a somberly nodding coworker. Instances of Shelleys trying to graduate happen often enough, but are never successful. New methods are always coming through Word of Mouth, a loose chain of rebels and opportunists, the unofficial black market of the Shelley population. Tinctures that promise to turn out the lights for good, but instead leave the Shelley in far worse condition than before, with heavier debt for the repairs. Mobile units are always one step ahead, deployed with amazing speed when a vital monitor falters on the radar. In my uncanny sobriety, desperation pushes up under my ribs along with resurrected guilt. I catch the conspirator’s eye and mouth the word, “Where?”
I go back to the complex where I keep a low-ceilinged room, now inhospitable with winter draft. I hang my exo-suit on the back of the door and stand in front of it for a long time, caught by the emptiness of it. It sags despairingly. I see myself, hollowed, and I grope for something—flecks of hope like luminous moss in a black cave, or even metallic fear. There’s only endless liminality, a concrete waiting room with no door. I open my fist and look down at the waxen packet, deeply creased in my palm. I hadn’t realized I’d been holding onto it so tightly.
My mind is swimming, but the images are crystalline. I’m back in the R.E. apartment on the floor. I can see the nubbly curls of the plush carpet, smell the vomit.
Then, I’m with my love in our bed, with motes of dust floating on slabs of sunlight, our child purling safely in the next room. “I’ve graduated,” I think, and then there’s nothing.
I wake to a fixed pain. I’m back in my cot, the air warm with the smell of city compost. Spring in the Shelley district. As the contents of my room come into focus––the grubby refrigerator, stack of books, and finally the husk of my exo-suit—futility wraps itself around me, serpentine and inescapable. It crushes the air out of me. I go cold under the coarse blanket, even in the balmy room. I feel plundered, scraped out. If I looked inside myself and found nothing before, what am I left with now? The light seeping in through the singular window pains me. “I’m here,” I whisper to no one, “I’ll always be here.”
Hours after I gain consciousness, I’m visited by a workforce agent who plainly outlines the extent of my medical debt and states my return to work: tomorrow. I can’t even cry.
On the next quarterly rest day, I find myself sitting on the edge of the cot with my work boots on. My body has been carrying me dutifully to the labour district and back each day, but I scarcely remember; I’m only an exo-suit, tromping back and forth in the mud. Along with the pain nestled deep in my bones, an oily nausea persists. Now, I see the overdue library books in the corner of the room and realize that they present a task. I will go to the library, because I have no appetite for rations and no desire for the conversations at the food court. Yes, it is something to do when there is nothing else to be done.
Relentless bullets of rain soak through my plain-cloth jacket and the city throng seems more haphazard in the downpour. I’m enveloped by the rich quiet as I step inside. The librarian gives me a composed smile and beckons me across the muffled foyer. We’ve never exchanged anything more than necessary information. From beneath the heavy desk, the tidy R.E. produces a small box with a bit of blue ribbon on it, slides it toward me.
“I noticed on your membership that it’s your birthday today.”
When I don’t move to take or open the box, they continue smoothly with kind, inferred authority, “I guessed you’d come on the next rest day and I thought, everyone deserves something nice.” Their eyes flicker to the dreadful arm, and I feel the static of expectation. I understand that in exchange for the effort within the box, I’m to provide the warmth of humble gratitude. “I brought you this.” Their painfully elegant hands pop open the box to reveal a wet, sugary little cake. “Happy 238th Birthday.”
I can only stare flatly at the offering.
The End
ARCADIA C. TAYLOR is a Canadian filmmaker, costume designer and writer who focuses on world building through vivid speculative constructs. Her work has been featured in film festivals, print publications and galleries throughout North America and Europe. She has worked many surreal night shifts and comes from a family that talks about death at the dinner table. She is drawn equally to romanticism and dystopia. Sociology and mental health are at the heart of her works.
Instagram: @arcadia_taylor
This story originally appeared in Stonecoast Review Issue 21.
Photo by Viktor Forgacs™️