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House

House

by Jenny Hykes Jiang I live in a house of dish clatter, coal smoke, rust-colored salve, plas­ticine praying hands and sheets bleached with sun­light, smelling of lye. I live in a house of my mother and my mother’s mother and her mother. Their red sea, moon and…

Douen

Douen

Story by Lyndon Nicholas.  Image by Patrick Hendry. Douen I heave it out of me, through the stomach, the intes­tine, the throat, the mouth. It comes out in waves of fabric covered in stomach fluids, flowing, balling up into a knot on the floor, darkening…

Wanaksink Lake

Wanaksink Lake

By Rachel Marie Pat­ter­son I haul away cedar drawers soaked with mouse urine, scrub the kitchen with mint oil, while my daugh­ters run head­long toward rusted nails. In this house, I dream of deer ticks and stable flies, the back door propped open, minia­ture blonde heads facedown…

(juosta) Stalin Hung Us

(juosta) Stalin Hung Us

by Ron Riekki My father showed me a photo of bodies hanging, pointed, pointed again, said, That’s us; I didn’t know what he meant. That, he said, would have been us. Except we were here now, the north north­ern woods of the north so north…

The Pushcart Prize Volume XLVII

The Pushcart Prize Volume XLVII

Stonecoast Review is excited to announce Nancy Connors’ poem “To Cig­a­rettes”  has been select­ed to appear in The Push­cart Prize Volume XLVII (2023 edition), sched­uled for pub­li­ca­tion in Novem­ber. “To Cig­a­rettes” was orig­i­nal­ly pub­lished in Stonecoast Review Issue 14. Con­grat­u­la­tions to Nancy Connors on this incredible…

Cara Hoffman’s RUIN and the Art of Looking Closely

Cara Hoffman’s RUIN and the Art of Looking Closely

Inter­view by Linda Mahal Cover photo by Con­stance Faulk Stonecoast Faculty Member Cara Hoffman is the author of Running, a New York Times Edi­tor’s Choice, an Esquire Mag­a­zine Best Book of the Year, and an Autostrad­dle Best Queer and Fem­i­nist Book of the Year. She first received nation­al atten­tion in 2011 with the pub­li­ca­tion of…

Razor

Razor

By Ben Boege­hold   the prin­ci­ple was this to cut away the useless to cast it off to render the fat and cleave the meat from bone the quick from the dead perhaps though truth is not as simple as a butcher’s job maybe we cannot take the mystery…

Cherry

Cherry

By Christo­pher Lin­forth A stand of cherry blossom trees lined the garden of my child­hood home. My parents always said that the explo­sion of pink had sold them on the house. By the time they split up a few years later, when I was thir­teen, disease had…

Sing the Unstoried Landscape: Debra Marquart’s The Night We Landed on the Moon and the Poetics of Place

Sing the Unstoried Landscape: Debra Marquart’s The Night We Landed on the Moon and the Poetics of Place

Inter­view by Linda Mahal A beloved faculty member of the Stonecoast MFA Program in Cre­ative Writing since 2007, Debra Mar­quart is a Dis­tin­guished Pro­fes­sor of Liberal Arts & Sci­ences at Iowa State Uni­ver­si­ty, where she teaches in the MFA Program in Cre­ative Writing and Envi­ron­ment and…

To Witness, to Listen, to Receive the World: An Interview with Ada Limón

To Witness, to Listen, to Receive the World: An Interview with Ada Limón

By Jenny O’Connell Photo by Lucas Mar­quardt Ada Limón is the author of six books of poetry, includ­ing The Car­ry­ing, which won the Nation­al Book Critics Circle Award for Poetry. Limón is also the host of the crit­i­­cal­­ly-acclaimed poetry podcast, The Slow­down. In this inter­view with Stonecoast MFA,…