By Robert J. LeBlanc
SYNOPSIS
The end of the world came out of nowhere and the fallout continues.
TAGLINE
There is always fallout.
CAST OF CHARACTERS
GEN X: Any gender, Born near 1974. Gen Xer. Whatever, you’re the producer. Do what you want.
MULTIMEDIA IN PRODUCTION
The multimedia present in this monologue, images, and light are suggestions only. They can be switched to any other supporting image or eliminated entirely.
At Rise: The stage is set sparsely with a simple tattered white scrim and a projector center. The projector is shining a pale pink light on the scrim.
GEN X enters and walks to center. The lights turn a sickly green and yellow as a video of a flying US flag plays on the scrim.
GEN X
I survived the apocalypse. Almost all of us did.
In 1989, the end of the world as we knew it came out of nowhere. None of us were prepared for it either.
Well, almost none of us. One day we were sitting in class expecting war, turmoil, nuclear annihilation at any moment, then, BOOM!
(The video stops and smash cuts to a bright white light that slowly fades to yellow.)
It was over. Our world was gone. No bright flash of light. No The Day After, no Threads. No birds and snakes or airplanes. No road warriors or mutant powers. No.
Just peace … and David Hasselhoff.
(A video of David Hasselhoff in his black leather jacket with blinking LED lights plays. He’s singing on the Berlin Wall.)
In the non-blinding blink of an eye, Mutually Assured Destruction was gone. Everything changed, moved on, and what came in its place? The Post-Cold War vacuum where the danger of the day comprises random acts of unspeakable cruelty.
(The video dissolves between interspersed scenes of school shootings, violence, January 6th, wars in Iraq, Afghanistan, Ukraine, our modern dystopia.)
The world as I knew it was gone. I’m just not sure if it was for the better?
(The video dissolves to images of bell bottoms and avocado green kitchens.)
I was born in the year of the bar code at the beginning of the age of excess. All I remember from that time is avocado green and questionable fashion choices.
I am Generation X. You know, that generation between the Boomers and Millennials that the world forgets exists?
(Projection shows famous image listing the generations and omitting Gen X.)
For most in my generation, it was not a matter of “if” the bombs dropped, it was only a matter of “when.” We grew up with the foregone conclusion that nothing we could do would save us. We were nuclear cynics from birth.
(The projection dissolves to a warm yellow.)
I honestly think that’s the big difference between our forgotten generation and Millennials. I think it’s why we’re forgotten. As a Gen Xer, the most we were guaranteed was a quick death in a nuclear war. We were made no other promises and, frankly, distrusted those who might have made them. When things changed, and pensions and job security were pulled away, we were expecting it. Like Lucy with the football.
Whatever! We really didn’t lose anything. Not like the following generations did.
The Millennials were raised after the end of the world—after the threat. Their parents found hope for the first time in their lives and tried to pass that on. The Millennials were taught that they were special and worthy, that they actually had a future. They were told to follow a certain path to guarantee it be a prosperous one.
And they fell for it.
The same thing that happened to us happened to them. They saw their chance fall to the greed that came before them. They had all of it yanked away. The problem was, they didn’t know enough to expect it. They followed the path laid before them by their parents and society and are now suffering.
“Welcome to the American Dream! Here’s your lifelong debt and no future in which to pay it off.”
They were blamed by the con artists for believing the con.
(The video flashes to a nuclear explosion.)
Fallout.
(The video dissolves to yellow.)
When the Soviets would inevitably launch, we Gen Xers expected that we would simply cease to be. Or better yet, we would be able to live in a post-apocalyptic Mad Max land of adventure, wearing leather jackets and license plate armor. We were one fantasy away from riding with Ookla the Mok.
We were primed to fight alongside rough and tumble nomads with spiked hair, leg warmers, and chain-mail bikinis. Or, if we were exposed to the lingering effects of radiation, we would go bald, grow a few tentacles, and live as some weird hybrid mutant Troma-style superheroes.
We learned to romanticize the coming apocalypse. We saw it as a release from the dread …
(The video dissolves to the lights from a spinning mirror ball.)
… or at least as an escape from disco.
(The video dissolves to pink.)
We were passively waiting for the end of the world, as we knew it. When it finally came, it wasn’t anything like we expected.
There were no bombs or radiation, no hideous mutants, though there were chain-mail bikinis on both men and women.
Look, the world was ending. We didn’t judge. There were also celebrations, parties, and David Hasselhoff dancing on the Wall.
(The video smash cuts to a picture or video of The Hoff dancing in Berlin, before fading to pink.)
The Cold War ended without a single missile being launched.
We were lost in a way. We’d been in the existential dread business so long, when it was over, we needed to redefine ourselves. We were a nation of Inigo Montoyas and the Six-Fingered Man was gone. We had some soul searching to do.
Glam bands went out, flannel came in, big hair fell to the hole in the ozone layer, and for some reason chanting Gregorian monks were the next big music sensation.
(The video flashes, as each is mentioned, to a montage of glam metal bands, of big hair, the hole in the ozone layer graphic, the cover of a Gregorian Chants album.)
We had other things to worry about like the specter of AIDS, the veiled bigotry of family values, Tipper Gore, Parental Warnings, and making sure our friends, our family, ourselves, could love who we please without the fear of reprisal.
Eventually we found a new threat, a new Cobra to our G.I. Joe. Saddam Hussein invaded Kuwait.
It was everything we needed to ride the wave of win. It was a made-for-television war, hosted by the aptly named Wolf Blitzer, a name straight out of the apocalyptic B Movies we used to fantasize about.
Our new enemy was a former ally when proxy wars were the political chic. It set the theme for the new generation of coming bad guys. He was one of the dictators we backed back in the day when we took “the enemy of our enemy is our friend” a little too literally.
Frenemies.
We had plenty. We set the standard of the typical social media influencer of today. We showed some skin, made lurid innuendo, offered hope, and then ignored our followers. We trained them, we used them up, made promises we had no intention of keeping, and when the Wall fell, we ghosted them. They were the political equivalent of a betrayed mistress.
And like all messy breakups there was … well, fallout.
(A still of the USS Cole bombing flashes to a shot of the burning Twin Towers, cutting to a flash of white and then the same nuclear explosion as before but muted.)
Regions destabilized, our modern dystopia of greed grew, and a madman took back Russia.
(The video dissolves back to the waving US flag.)
Now here we are, full circle, back in the beginnings of another Cold War. Only this time we have the Internet.
(A quick montage of media runs on the screen.)
I’m not sure that’s better?
(The video flashes white and dissolves to pink.)
How will this one end? I don’t know. Maybe nukes, maybe plague, maybe with ninety-nine red balloons, maybe nothing? Either way I do know one thing. This time it likely won’t be with peace and David Hasselhoff… but at least we escaped disco.
(The video returns to a negative image of the flying US flag. As the lights fade to black.)
END OF PLAY
ROBERT J. LEBLANC is an award-winning playwright, actor, voice actor, and artist, as well as the producer, head writer, host, improviser, and designer of the comedy ensemble, Balderdash Academy, and owner of the interactive mystery-comedy company Sleuths Mystery Entertainment. He writes in several genres with a focus on comedy and the use of comedy in drama. He is the guest writer and performer of Undertow: Simpson Falls episode “Firsts” and was a series developer and writer on Realm’s hit horror series Undertow: Blood Forest and Undertow: Pulse. His work can be found on stage, screen, and in various podcasts including Balderdash Academy’s On the Air.
This story originally appeared in Stonecoast Review Issue 21.
Photo by Kilian Karger