By Melissa Ostrom
They met. You don’t lie, hit, or trick, she said. You don’t gamble, he said. Not at all like I’m used to, they thought. They married. Stood for the sham of wedding pictures, arranged with the nearly estranged to suggest tenderness, trust. Hundreds of photos, to account for the first removed, to include the improved, the currently screwed, biological, step, ex this, ex that. I need a drink, he said. Me, too, she whispered. When will this end? They built a house. Nothing broken, she said. A fresh start, he agreed. They followed the construction closely, imagined in the developing shell their babies, like pearls, and thought, our children will be happy. Have it better. Feel safe. The skeleton smelled sweet and sharp: a forest after the ax. The walls went up, became smooth skins. Sturdy, he thought. Unbruised, she thought. The roof was a sleek head. This house looks safe, they said. Hidden and safe. Soon every room was piped and wired, ready to pump, flush, light, cool, warm. All ours, they believed. Fat of insulation, sinew of drywall, muscles of countertops and floors. Safe and new. A small cabin. Pastless. Ghostless. A pretty box. Tucked in the woods. This cache of hope. A treasure among the trees. They stepped into the foyer. They flicked on the lights. Stood in their house, red as a matador’s cape. Hesitated, hurt and bloodied. Then they lugged in their shit. Hauled and shoved. Pulled and lifted. Until the house was filled with possessions. Until the house was filled with the possessed.
MELISSA OSTROM is the author of The Beloved Wild (Feiwel & Friends, 2018), a Junior Library Guild book and an Amelia Bloomer Award selection, and Unleaving (Feiwel & Friends, 2019). Her stories have appeared in many journals and been selected for Best Small Fictions 2019 and 2021, Best Microfiction 2020 and 2021, and Wigleaf Top 50 2022. She lives with her husband, children, and dog, Mocha, in Holley, New York. Learn more at melissaostrom.com or find her on Twitter @melostrom.
This story originally appeared in Stonecoast Review Issue 22.
Photo by Stefan Cosma