FICTION
By William McDonald
So, a child is like an investment, you see? First you establish a partnership with your other (spouse, mate, lover, etc.), and then you start saving. And you save and you save until you feel like your partnership has established a foundation—both an emotional foundation and a financial foundation—that can support a child.
It’s been this way forever, really. In the olden days, you procreated to cover more hunting territory. Expand your pack so you can take down larger game, garner more meat. With an added arm to your hunting party, your status in the tribe grows. Farmers the same way. Have a child so they can milk the cows while you plow the fields, acquire additional hectares and watch your crop yield multiply at the same rate your offspring does. Marginal product, they call it. How much you get from adding more to your workforce.
The game you hunt and the crops you yield, these are what is called ROI—or, return on investment. That child, the one you feed and nurture and discipline and wipe, is the investment and this yield is your return on that investment.
Now, the way society has progressed, with technology and machines and democracy and the like, you’re seeing a return on your investment within the first year. No more waiting until their muscles develop and they spend enough time in the tallgrass monitoring migration patterns. We saw profits with Jojo by his first birthday.
We had a little party for him and I recorded a video of Jojo pulling a ribbon off the present Colleen and I got him. It was just a small thing, really. A toy muppet that talked to him and said his name. Hi Jojo! The chipped-in voice box activated whenever Jojo made eye contact with it. Built in facial recognition tech. And the reaction Jojo gave was just outstanding. He almost fell over with excitement. His mouth was wide open and you could see the two lone teeth poking through his bottom gums. He shook with thrill and he grabbed the toy muppet and hugged it tight.
Well, I shared it on my socials and the video was a hit. Kids love these things, I guess. Watching others open boxes, it’s a sort of excitement by proxy. It’s all the suspense their unwrinkled little minds can fathom.
What’s in the box? Oh boy, what possibly could it be? they ask themselves.
And then I start getting ad revenue from the money these targeted advertisements are making. I won’t say Colleen and I were in the black off that one video, but it certainly covered a significant portion of the first year’s operating expenses: diapers, Gerber’s, visits to the pediatrician, etc.
I started posting videos every week of Jojo opening boxes. Your standard kids toys. Stuffed animals, rubber balls, a red and blue plastic cash register. Jojo didn’t give it the same shocked reaction he’d given the toy muppet that knew his name, but the viewer counts were staggering. A video of Jojo opening a box with a green dump truck got a hundred thousand views!
And then the comments, too. Comments from people I’d never met before. “The look on his face!” wrote one viewer, followed by three laughing-crying-emojis.
Another wrote, “Thank you for sharing—my three year old thinks these videos are just marvelous!”
Marvelous. What a word. Evocative. It’s a word you can feel. You get comments like that, with a word like marvelous to describe the emotion your video conjures, and you know all your hard work is actually making a difference.
Colleen suggested we give Jojo more time between each video, or liven up the gifts so the experience is more meaningful for him. But I insisted that longer space between videos will kill our momentum and leave room for a competitor to fill the void. And more lively gifts usually means more expensive gifts, and more expensive gifts, well, that just means higher operating costs. So, no, I told her, stay the course and let’s see what we get if we wrap up my running shoes.
But then someone commented, “Lame…” on one of Jojo’s videos and wrote, “if you want to see real unboxing, check out Little Edgar,” and they included a link to Little Edgar’s page.
This was pushing boundaries. Little Edgar’s parental shareholders gave him boxes filled with dead rabbits and pre-lit fireworks. They weren’t going for happy or surprised with Little Edgar. It was provocation they were after. They diversified their reaction deliverables and the people—the viewers—were eating it up! Little Edgar’s shareholders raked in one million dollars a year from targeted advertisers. One million! A fifty four minute video of Little Edgar crying his soft little face off because his shareholders boxed up his teddy bear’s severed head got a billion views, twenty seven million upvotes, and thirty eight thousand comments.
The next day I got a long box—coffin like—and put a red bow around it. By far the biggest box we’d featured, Jojo opened it with excitement and was shocked to find Colleen inside of it, lying in repose.
“Ma ma,” Jojo said and then went in for a hug.
But Colleen rebuffed his hug and stood up, remaining stone faced, and informed Jojo that she was ending their mother-son relationship, effective immediately. It had been a good run, Colleen said, but it was time for both of them to pursue other interests. There would be no more cuddles, no more swaddles, no more lullabies, no more eyebrow rubs, no more high pitched mama talk, and no—certainly no—more kisses. I really gotta give it to Colleen, not once did she break character. Even as Jojo reached his chubby arms up and squeezed his tiny hands together, his sign for hold me, she stayed cross-armed and cold. And when Jojo erupted in screams and tears, she just turned her back and walked away.
Views went through the roof. I mean, not in our wildest dreams could we ever have imagined the returns on this one video. And it was so rewarding to read the comments. “This is pain,” one viewer wrote. “Thank you,” another began, “it’s really difficult to have your heart broken by a stranger on the internet, but you’ve done it, I now know what real heart break is.”
It wasn’t all rewards though. After the abandonment unboxing, Jojo fought us tooth and nail each time we tried to film another video. Colleen suggested we give him some time off, that maybe his utility had been spent. This wasn’t a surprising revelation, we’d begun to suspect Jojo was holding out for greater incentives, and so we started contemplating an investment in a second child. But that was still nine months away—at a minimum—plus another year until the second child could begin unboxing duties. So, I figured I would try and meet Jojo halfway.
“Let’s unbox something nice, Jojo,” I said to him.
“No more unboxing,” he said.
“C’mon, Jojo, you owe it to your shareholders.”
“I hate my shareholders!”
“You don’t hate your shareholders, Jojo, don’t say that. We raised you better than that.”
“I do hate my shareholders, I do! I hate my shareholders and I only love my muppet.” He rubbed his cheek on the top of the muppet’s soft head. Jojo! the muppet squawked.
“Well, who gave you your muppet, Jojo?”
“My shareholders,” he resigned.
“I tell ya what, Jojo: you do a video, and instead of water, you can have juice before bed tonight.”
The little muscles in his neck relaxed and his bald head sunk into his pajama’d shoulders. “Okay, juice.” He stood up and waddled to the living room where I had wrapped up a set of steak knives a sponsor had sent me.
After Jojo fell asleep that night, I took his near empty cup of juice downstairs with me so it could be washed. I turned the faucet on and held my hand under the water waiting for it to get warm enough. I stared at my hand and watched the bubbly, white foam of the tap water spill over the back of it, cascading into the sink over the soft side of my palm. The water gradually grew warmer and my skin began to burn. It got so hot that I could no longer sense the temperature. Instead, it felt like a thousand needles piercing the back of my hand. And it hurt and my skin started turning a brighter shade of pink. The color of a rose or a summer begonia in a Mayfield window box. And I didn’t move it. I just kept it there, holding my now puffy hand under the piercing hot water, and admired how absolutely marvelous the color pink is.
This story originally appeared in Stonecoast Review Issue 19. Support local booksellers and independent publishers by ordering a print copy of the magazine.
Photo by Imani.