CREATIVE NONFICTION
by Rachel Katz
In bed with my laptop on Saturday morning, January 21st, 2017, I searched for the livestream of the Women’s March on Washington and clicked open a video window, mindlessly, the way I would flick on a light. My boyfriend sat next to me, thigh touching mine under the white and orange flower-covered comforter that I had lugged from college far into adulthood, and which I had intended to replace for years. I wanted to get something sophisticated and gender-neutral, perhaps a plain gray duvet cover, or one in rich royal blue, and a chair by the window to match. Maybe the comforter could be gray and the shams gray with a blue trim to match the chair. I entertained such banal comforter-related thoughts as a Black woman with shorn white hair and two long, silver earrings took the podium at the Women’s March rally and began to speak.
“My name is Donna Hilton. I’m formerly known as inmate 86G0206.”
Her voice was full and deep and called my mind back from the question of sham color.
“This march is about us,” she said, “the people, the women in this country who refused to be marginalized, sexualized, and abused, and silenced.”
“March!” she said, or rather yelled, or not quite yelled but demanded, but not in a negative way. Sang. Shouted. What is the word for a strong woman’s speech? A call. A sermon. A heart on the table. A roar.
Donna Hilton finished, “Let’s walk in our greatness because we are beautiful. We are amazing. And we are not silent anymore.”
Recently I’ve had an urge to return to the memory of that day, because five years on, it is beginning to feel distant; so much else has happened—Trump is out of office, there is a pandemic, there is a war—and there’s a risk I might begin to think it didn’t matter.
Next up at the podium was a blonde woman wearing a shirt that said in big orange letters, RUN LIKE A GIRL. Around her stood a stage packed with women waving. She motioned around the stage and boomed in a low, raspy voice, “These are the brave women who fight for us every day in Washington.” She pointed to the audience and said, “Here’s the thing. YOU should be the ones writing the laws. YOU should be the ones writing the policies.” In between her sentences she seemed to whisper to me, You are powerful. My room and my comforter dropped away, and I existed fixated on her lips, desperate for the words like a dehydrated person at a dripping faucet. She introduced the next speaker, “Our brand-new, FABULOUS senator from California, Kamala Harris,” who climbed up and sang out:
“All right! All right, all right, all right! What a beautiful sight I see.”
A pressure rose quickly from my belly into my chest and up through my throat and head, and I was caught bewildered with tears dripping down my cheeks. I tugged the orange embroidered hem of my girly comforter up around my mouth and released three breathless sobs. My boyfriend sat next to me in a patient silence. I worked for a number of minutes to put the feeling into a coherent sentence, and then I said: “I can’t remember the last time I saw three women in a row speak on stage in strong voices.”
When I heard myself say it out loud, I felt a fresh rush of hot tears. I stared at a blurry Kamala Harris through a layer of water and wondered how it was possible that I was twenty-nine years old and seeing three women speak powerfully on stage could shock me to tears.
In the weeks leading up to the Women’s March on Washington, I had struggled with questions of the march’s legitimacy, fueled by an enticing logic-and-reason skepticism prevalent in my group of friends. Around a long table at a restaurant called Flour and Water, leaning over our appetizer of Little Gem and butter lettuce, we debated how effective it really was to march in protest—and in protest of what? We pointed out to each other, picking delicately at our handmade pumpkin tortellini, that the women’s march—no clear agenda, no clear asks—represented a disorganized mishmash of causes, and therefore it may be wasted effort. One of my friends raised the hypothetical: what if we all spent our energy going to this march, and then a month later there was a cause that really needed us, but the crowd’s will and effort had already been spent. The outcome of this march could actually be negative.
Now, here’s a skill that I’ve always valued: the ability to objectively assess an issue and draw a compelling logical conclusion. Logic was the language of my schools and workplaces, of the management consulting firm where I worked, comprised of 80 percent men. Looking back now, this argument sounds bizarre to me, but show me a well-argued point, and my gut feelings or intuitions are bound to wither in its presence. Logic is reliable, unlike emotions; it’s straightforward and clean.
And yet, I knew I would go to the march. In the week leading up to it, I found myself periodically returning to the march’s website. One night as I scrolled through the Facebook page for the San Francisco event, staring at my bright screen in the dark living room, I suddenly recalled a corporate even I had attended five years before, a Women’s Summit. It was held in a ballroom in the Fairmont Hotel at the top of Pacific Heights where all the windows look down on the sprawling city. Packed shoulder to shoulder on pink-cushioned chairs, a hundred women in pencil skirts watched five female executives on stage talk about how they had made it. Speaking in a high, nasal voice, one panelist told a story about when her son threw her BlackBerry in the toilet. Another mentioned that her daughter had asked if they could please stop moving around so that she could stay at the same school for more than a year. Another woman on the stage said in a remarkably matter-of-fact tone that she had given up many close friendships to climb the corporate ladder. These were the women I was striving to be. Even then it struck me how misguided it was to desire what these women had, and yet the fact remained that they were the ones on stage and I was in the audience to learn from them. At one point, the discussion—like at many women’s events I have attended—veered toward tactics for how to say “no” in a “yes voice” to people who ask you to take on too much. As I sat on my own pink-cushioned chair in my own pencil skirt, I noted that one of the five panelists wore rubber-soled boots instead of pointy-toed high heels, and I remember feeling that those boots represented a single ray of hope.
Watching Kamala Harris five years later take the stage and say, “There is nothing more powerful than a group of determined sisters,” I felt my mind lunge toward an unfamiliar and overwhelming sense of inspiration like a wanderer in the desert who sees a watering hole. Only then did I realize that the women’s event in the Fairmont was the last time I could remember hearing three women in a row speak on stage. And only then, by way of comparison, did I realize that the Fairmont women hadn’t been shouting, or preaching, or singing, or demanding-but-not-in-a-negative-way. Or putting a heart on the table. Or roaring. Or whatever we want to call it.
In the afternoon on the Saturday of the women’s march, a group of friends came over to make signs that said things like: “Who Run the World,” “Feminist as Fuck,” and “Dignity, not pussy-grabbing.” We piled out the door and snapped a couple of photos on the stairway, holding our colorful signs and smiling for the camera as clouds gathered overhead. As we headed toward the subway, I felt wholly an imposter. I had rarely marched for anything before, and I told myself that it was so lame that this was one of my first experiences marching. A woman who concerns herself with sham color cannot reasonably take to the streets. I don’t deserve to march for myself; look at all my privilege. We don’t even know what specifically we’re marching for. Our signs don’t really make sense. They have no clear message. What is this really going to get us, after all. So went a familiar internal monologue of self-criticism, a kind of shelter built with reason. No one could judge me if I was already so clear-eyed about my own behavior.
Downtown, we lingered in the back of the crowd through the rally, catching here and there a word or a note as it floated across the chilly breeze. A live pianist slammed out dramatic crescendos on an upright he had dragged out to the street. Cars honked as they drove by. Misty rain began while we stood in the crowd, becoming chilled in our rain jackets. I was mildly uncomfortable, a little disoriented, slightly energized, mostly just standing in the rain. Then the welcome words came from the stage that the march would start. We turned 180 degrees from the rally stage toward the San Francisco capitol building, an ornate dome. Her nooks and crannies had been lit up pink, and the dome glowed warm against the wet gray dusk. I said to no one in particular, “Do you think that’s for us?” My friend Ben heard me and replied, “Of course it’s for us.” It felt unbelievable to me that an object so official could express what seemed like love. I stared at the pink dome through the rain. It towered over a sign that said “Make Misogyny Wrong Again,” and for a moment I imagined it not as the dome of the capitol, but as a giant, beautiful, life-giving breast. Then I felt embarrassed about that image, then I felt proud, then embarrassed again. As I stared at the dome, the sky opened, and rain gushed onto my hood and into my clogs and soaked my socks, and the crowd began to move forward.
As we poured down the streets of San Francisco, even the broadest of which looked narrow now, packed wall to wall with people, my own world became small and immediate. I could only see the wet rain-coated backs of the marchers in front of me, the low gray sky above, the droplets of water rolling down my smooth black shoes onto a small, moving patch of asphalt below. I didn’t set my pace or direction. I just succumbed to the flow.
Behind me to the left, a woman yelled out shrilly: My body, my choice.
A man next to her shouted a deep response, Her body, her choice.
The woman yelled again, this time joined by a handful of more women, My body, my choice.
And then a half-dozen men replied, Her body, her choice.
Then tens of women yelled: My body, my choice.
And fifty men cheered: Her body, her choice.
And I tried it softly: My body, my choice.
And a hundred men bellowed: Her body, her choice.
I said it louder: My body, my choice, and I felt awkward saying the word “body” so loud.
But then came the bass strength of the response: Her body, her choice.
I considered whether I deserved to yell this, whether I deserved to hear such an overwhelming supportive response. I tried it louder, surrounded by a new wave of high-pitched yells, My body, my choice.
And they came back even louder, Her body, her choice.
And then we roared, My body, my choice, and they hollered, Her body, her choice, and it ricocheted off the skyscrapers on our flanks, and it filled Market Street, that broad boulevard that cuts diagonally across the San Francisco grid, my body, my choice, and the sky sobbed out a choral ballad of gorgeous rain, her body, her choice, and the police stood on the sidelines in bright green jackets and looked on, my body, my choice, and those police would later report that everyone at the march was “so kind and happy,” her body, her choice, and I thought: yes, I deserve this, and yes, we deserve this, we all deserve this, my body, my choice, and I could hear Will’s voice in the crowd, her body, her choice, and his warm support was everywhere around me, my body, my choice, and I pulled back the hood of my raincoat and looked up, her body, her choice, and let the rain fall on my face.
I couldn’t remember the last time I had walked outside in a downpour without rushing to the protection of the indoors. At age twenty-nine, I couldn’t remember ever letting a surge of emotion pour out of my mouth the way it did in that moment.
I yelled full-throated now, My body, my choice, not so much yelling, but singing, preaching, shouting, demanding-but-not-in-a-negative-way, putting my heart on the table. Roaring.
Everyone deserves the dignity of hearing their kind roar.
Around me, a reliable, vibrating bass section boomed into the darkening night, Her body, her choice. Everyone deserves the dignity of hearing someone else roar in her name.
This story originally appeared in Stonecoast Review Issue 17.
Photo by Vlad Tchompalov.