By JJ Amaworo Wilson
On May 8, 1902, a sailor named Matteo di Battista watches from a ship off the coast of Martinique as a catastrophe unfolds.
Mont Pelée erupts. A cloud of red ash blots out the sky. Within minutes, the 33,000 inhabitants of the city of Saint Pierre are turned to dust. All except one: Louis-Auguste Sylbaris, a murderer locked up in solitary confinement. The walls of his prison are so thick that even though they crack and shake, they keep out the lava. There is a slit that lets in the light, and burning ash pours through. Sylbaris urinates on his clothes and stuffs them into the slit. He remembers a Mayan calendar that names the day of the Apocalypse and he believes that day has come. Later, once he has uncurled his trembling body from the corner of his cell, his screams are heard by rescue workers, Matteo di Battista among them. Sylbaris is burned but able to walk free. He sees nothing but ash floating like the feathers of ghostly birds. He repents his sins. The sailor di Battista hauls him aboard the ship, tends to his wounds, and writes his story for all eternity.
***
On June 20, 1987, Turkey officially recognizes the mythical resting place of Noah’s Ark on Mount Ararat.
Three brothers hack at gopher trees, cut them into logs, braid twine with the sapling. Irascible Noah watches his sons, barks at them to work faster, turn that lumber. He says, for the fifteenth time, “Three hundred cubits long, fifty cubits wide, and thirty cubits tall!” The clouds assemble in the distance, casting shadows on the mountain. The sun disappears. When the flood comes, they are ready, and the ark goes careening into the tumult. Torque and yaw; waves high as hills ravage the ark’s sails, hammer at the mast. Below deck, a rhino’s horn gets stuck in the bars of the cage. Giraffes’ heads bump against the ceiling. Eagles mad as the moon abandon their perches and fly in circles. The toes of the tapirs slide on the floor slick with grimy water. In the midst of the battering, a cacophony of hoots and growls and whinnies breaks out, threatens to derange the men and women on board. For forty days it goes like this, the boys vomiting, Noah gripping the wheel, strapped to the keelson so he can’t be swept overboard. Great canyons of water rear beside them and the heavens turn black in daytime. Finally, the flood abates and the raven takes wing, as prophesied. Later, the ark will be abandoned on Ararat in eastern Turkey—where Time will sink the boat into the soil, bury the hull—and be discovered by a lost shepherd boy called Nuh, or Noah.
***
In 1487, two monks publish Malleus Maleficarum, a treatise exposing the existence of witches. Over the next two hundred years, between 60,000 and 100,000 accused witches are murdered in France and Germany.
They might turn themselves into peregrine falcons. Or jackdaws. They might metamorphose into beetles and live out their days behind a bookshelf or a whisky stall. Their accusers say they fly on broomsticks to fornicate with the devil, cause shipwrecks, cast spells to cripple children. The women—healers, spinsters, widows—wander the backroads, till one day a teenage girl among them named Lorena Schlaeger discovers a network of caves so large it has its own weather system. She leads the women to the caves and they take sanctuary, venturing out only to collect herbs and vegetables, fruit and firewood. And there in a place called the Harzer-Hexen-Stieg they remain hidden among the stalactites and the hanging bats for a hundred years, with air so rarefied and water so pure they live into old, old age, waiting it out until the madness of the masses recedes.
***
In 1965, Che Guevara, having overthrown Batista, grows weary of his desk job in Fidel Castro’s government. He leaves Cuba and goes to the Congo to foment a socialist revolution.
He is holed up in tiny quarters in Dar es Salaam, Tanzania. In neighboring Congo, the army officer Mobutu has already overthrown Kasavubu; Che’s comrades, Tuma and Pombo, have fled to Europe; and the Congolese revolution has fizzled out like a firework in the rain. Che sits at his table and begins his second volume of memoirs with the line “This is the story of a failure.” His only human contact is with Pablo Ribalta, who brings him meals of rice and cassava, and Coleman Ferrer, his Cuban typist. Che peeks through the curtains, sees the setting sun. Moths circle the lone lightbulb. He will be dead within two years, martyred in Bolivia. The hands that ministered to the sick when he was Dr. Ernesto Guevara, that gripped the revolutionary rifle in the Sierra Maestra, that held his wife Aleida in clandestine caresses in Tanzania, will be cut off and preserved in formaldehyde, so his killers can confirm his identity once they have thrown the body into a mass grave, his final sanctuary.
***
Between 1784 and 1822, four hundred and sixty slave revolts occur in the northeast of Brazil. The escaped slaves form quilombos—self-sufficient communities, the most famous of which becomes a town called Palmares.
They are a band of the dispossessed. Bound rags for shoes. Pilfered scythes and a flintlock. Eyes full of blood and cinders. They are running from the slave-catchers, who chase their scent on saddled horses. The slaves, led by the indomitable women Xuxa and Marilete, cross Pernambuco and get away. They find refuge deep in the serra, build shacks and post lookouts in the hills. More fugitives come, wrecked by their toils and their wanderings, whole families emerging from swamplands, reproducing themselves like matryoshka dolls. They gather around fires, tell stories from the old world. Marilete and Xuxa teach them how to farm patches of land. Xuxa will be burned alive by government forces, but not before she has spat in the face of General Guilherme Pachete, who will light the flame with his Cuban cigar.
***
Sebatana ha se bokwe ka diatla—“the wild beast’s attacks cannot be stopped by bare hands” (African proverb). Nelson Mandela convenes a militia and goes on the run. He is named on a U.S. terrorist watch list, where he remains until 2008, shortly before his ninetieth birthday.
The Black Pimpernel wears a fedora, a chauffeur’s cap, a crown of thorns. He hides his face behind a beard and glasses. He sleeps clandestinely in the back room of a beery shebeen in Cape Town, a barbershop in Soweto, a sugar plantation in Natal. He counts out the days and moves every three. “You can fly out of Jan Smuts but you can’t get back in,” says his handler. The police set up roadblocks, dangle suitcases stuffed with cash for informers, who are everywhere, who are in the air he breathes. He makes his way to Lesotho, the Mountain Kingdom. Donkeys and dogs, rubble and diamonds. The Basotho take him for a peasant farmer. He heads to Durban. He gets caught, spends twenty-seven years behind bars, gets out, and liberates South Africa.
***
In November 1347, a galley flees from the siege of Kaffa in the Crimea. The ship arrives at the Italian port of Genoa, bearing weapons, goods to barter, and the Bubonic Plague. Within two years, over a third of the population of Europe and the Middle East are wiped out.
They have different names for it: The Black Death, God’s Wrath, End of Days. On the southern wall of the cloister of the Cimitière des Innocents in Paris, an artist paints a fresco of the dance of the dead. God has abandoned his people. Where is refuge to be found? The landscape stretches bare to the horizon—mass graves circled by buzzards, deserted villages, flagellants wandering the countryside. William the Pious leads his congregation to the hills. Their bodies are discovered a century later; one anthropologist says there is evidence of cannibalism. Janine le Fleur takes her family to live in the cave of Font-de-Gaume. Abou Hamdi Mazry, known as Greybeard, sees Cairo overrun with rats and in his sermon proposes an exodus to the desert. He packs supplies, but in the middle of his morning ablutions notices buboes growing on his skin, and dies drifting along the Nile in his brother’s felucca. The plague swallows the rich and the poor, the godly and the profane. Sweeps through prisons and monasteries, mansions and hovels. Like the preacher said: “There is no sanctuary from God’s will. Man came from dust, and to dust he will return, refuge be damned.”
JJ AMAWORO WILSON is the writer-in-residence at Western New Mexico University; a faculty member for Stonecoast’s MFA in Creative Writing; and the author of over twenty books. His 2016 novel, Damnificados, won four major awards and was an Oprah Top Pick. His most recent novel, Nazaré, came out in 2021. He has lived in eleven countries and visited over seventy.This story originally appeared in Stonecoast Review Issue 22.
Photo by Tikkho Maciel