POETRY
By Eric Abalajon
“I used to hang out just outside the fence of Pearson International,
on weekends with friends, and bring binoculars. It became a bad hobby
immediately after 9–11.” Sujoy summed up, “You know how I look,”
bringing the class, on anti-racist pedagogy, into laughter. The instructor
was explaining the practice of carding, which no one heard about
but Sujoy experienced twice. She said, “It’s when a police officer asks
for identification, if you seem out of place.” This means dark skin
in white, and or affluent spaces. “But also, the other way around,
if you’re white in, you know, in certain communities,” she almost stuttered.
“Another time,” Sujoy went on, “I went to a concert and left my keys.
I was like 19 then, and I tried to climb back to my apartment after,
when a cop saw me. That time, I was genuinely scared. The high from
the show dipped into dread quickly. Good thing my roommate was awake,
there to confirm who I was. Weird how saying that comes out now.” Amid the
nodding and silence, the instructor went on about scenarios like these could
creep into our classrooms. During the break, I asked Sujoy what band he saw, that night.
To keep things light. He can’t remember, so I asked about watching
planes take off and land. Dearly missing it, he said it was a sight to behold.
This story originally appeared in Stonecoast Review Issue 18.
Photo by Nathan Dumlao.