Interview
What do you write?
I write fiction, mostly short or short-ish stories. I think Raymond Carver said it best—with short stories, you can get in, get out, and move on. I’m always afraid of getting lost if I hang out in the world I’ve created for too long. I’ve written a novel, but shorter stories are where I’m most happy. I also marvel at people who can write non-fiction. My life just isn’t that interesting.
Is there an author or artist who has most profoundly influenced your work?
My biggest influences probably are Raymond Carver and Lorrie Moore. I love Moore’s outrageous sense of humor and I often try to incorporate humor in my own work. I love Carver’s plain language and how he creates so much tension and power with the words he chooses. I love Alice Munro too.
Why did you choose Stonecoast?
I live in Maine.
What is your favorite Stonecoast memory?
There are so many. Stonecoast has been an amazing experience for me. I think writers are a unique breed. We tend to look at the world differently than other people. It’s great to be around people who share the same passion and way of thinking. I actually go through withdrawal between residencies.
What do you hope to accomplish in the future?
Write, write, write. And publish, of course. Maybe teach?
If you could have written one book, story, or poem that already exists, which would you choose?
One of my all-time favorite stories is “Vissi D’Arte” by Lorrie Moore from her collection Like Life. It’s about a writer who lives in a run-down apartment in the Times Square area of New York City in the 1980s. It has some of the funniest, most poignant, true passages about living in New York at that time that I’ve ever read.
Featured Work
Apartment 7G
The following excerpt is a work of fiction exclusively for Stonecoast Review.
Penelope had been gone from the city for twenty-one days, nine hours, and seven minutes. She hadn’t kept track of the seconds.
The high-rises gleamed at her as the taxi drove over the Triborough Bridge into East Harlem, down the FDR Drive South and past apartment complexes. The skyscrapers of midtown loomed in the distance—towers of steel, brick, glass. For years she hated the skyline. It represented her impossibly difficult mother. Penelope took a breath of stale taxi air, inhaling the saccharine strawberry from the air freshener dangling off the rear view mirror.
“Do you want me to cross the park at 98th Street?” the driver asked.
She didn’t respond.
“You want 98th or 116th?” The driver was gesturing now.
Why did such a thing matter? She didn’t mind a few extra minutes. Enjoy the view. The lights. The city was a whole new place to her. The driver squinted from beneath his navy Yankees cap, his large dark eyebrows pressing together.
“Lady, do you speak English?”
His taxi license placard said Evan Sawyer. License issued February 10, 2017. A picture of him frowning into the camera. She crossed her legs at the ankles.
“98th Street,” she said.
Evan Sawyer turned his eyes towards the road. Penelope glanced again at the placard with his name and sullen picture. Evan Sawyer had the same initials as Emmanuel Sheppard, her best friend from fourth grade whom she had not seen in thirty-five years.
Traffic was flowing down the FDR Drive South, the cars jockeying for position like racers in a video game. They took the off-ramp at 98th Street, went west towards Fifth Avenue, then through the park with twists and turns, tunnels, and the remnants of fall, the only bit of rural landscape in Manhattan.
Columbus Avenue, Amsterdam Avenue, then Broadway. The taxi turned left, then right, stopping in front of a large brown building with a green canopy: the building where she had grown up. Evan Sawyer turned on the interior light of the cab and she paid him with a credit card.
He popped the trunk and got out of the car. Hugo, the doorman, approached the taxi and waved when he saw her. He placed his hand on the car door and opened it, his pocked face smiling.
“Welcome home!” said Hugo. She hoisted the backpack containing her clothes for the week on her shoulder. Evan Sawyer placed her two suitcases on the sidewalk. She took hold of each, but Hugo put out his hand for the luggage.
“No, I’ve got them,” Penelope said. She turned to walk up the three steps to the building, rolling the suitcases behind her. But Hugo insisted.
“Let me,” he said. He wrestled the suitcases from her as she began to ascend the steps and before she could protest, he was lifting them up and feeling how light they were. His eyes glinted. “How’s your mother?” he asked, carrying the suitcases into the lobby.
“Better.”
She followed Hugo, her boots squeaking on the freshly-polished marble floor. The mailboxes were up a brief set of stairs to the left, beyond the lobby’s Christmas tree. She gripped the gleaming brass rail as she ascended to the mailroom.
She found the right key and inserted it into a shiny lock labeled “Apartment 7G.” Her parents had rented the same unit since 1963. Penelope remembered when the mailboxes were a dull, forgotten brass, and when there were no doormen to hold the front door open, or to lift unsuspectingly light suitcases from their owners.
The mailbox opened without resistance. Her fingers went inside and pulled out invitations for her mother to join AARP, solicitations from local hearing-aid specialists, and funeral expense life insurance offers —no medical questions if you returned the card within thirty days. Oh yes, and solicitations from Medicare Advantage plans. It was that special time of year again: open enrollment. She remembered two years ago when her mother cancelled herself out of Medicare without realizing it. How she fought on behalf of her mother to get it back, and she did get it back but what a hassle. It was the beginning of Myra’s dementia.
She pushed the mailbox closed and locked it. Hugo was holding the elevator button for her. The empty suitcases were already inside the cabin.
“She’s coming back, right?” said Hugo, his brown eyes sparkling. She knew he was thinking about the Christmas tip he might receive if he passed on good information to the landlord. Information like crazy Myra Petrillo, the only rent controlled tenant left in the building, might be in a nursing home and wouldn’t be returning. Ever.
“Oh yes,” she lied.
“Good,” he said, with a smile all big white teeth and fleshy gums, and he waved as the door closed.
She breathed but did not loosen her body. Video cameras surveyed the elevator. A safety feature, or so it purported to be. Hugo would be watching on the monitors downstairs, she was certain.
The elevator rose to the fifth floor then stopped. The door opened. The smell of cigarettes still emanated from the apartment down the hall on the left, even though her mother had been gone for four months. She wheeled her suitcases across the marble floor towards the apartment door, the sound echoing off the walls.
She opened the door, pulled the two suitcases inside and quickly shut it behind her, flicking the nearby light switch. The crystal chandelier, its bulbs thick with beige smoker’s film, illuminated the room.
Everything was in the same place she had left it three weeks before. Books and magazines piled up on every surface, including in corners on the floor. Grocery store receipts, junk mail, real mail, dollar-store knickknacks. The blackened, antique bookcase that had once been a rich cherry, the dark velvet rose-upholstered chairs, and the once cream-colored oriental carpet, now stained nicotine-brown. She had grown up here. She was conceived here. Her father had died here in 1995—the aura of his presence still lingered. The apartment and its contents were a part of her as much as her bones and skin and hair.
But with Myra gone, the apartment was hers. Hers to clean up, fix up, hang on to as long as she possibly could, for next-to-nothing rent. A place to write, enjoy the city once again, and rekindle old friendships, like the one with Emmanuel Sheppard, whom she would be seeing the next night.
New York Times newspapers from five months ago were stacked in a corner. The heat hissed through the radiator in the kitchen. She breathed out, and dumped her backpack onto the dining room table.
She bent over and picked up a folded New York Times from the stack. It seemed such a shame to have all that important, well-written news gone unread. Her mother had stopped reading the Times years ago. Just like the hundreds—no, thousands—of dusty, untouched books in the apartment—on literature, art, politics, travel, great religions and philosophers—piled in floor-to-ceiling bookcases in the living room and bedrooms and in the hallway. Books left for Penelope to go through and decide—to keep or not to keep? To donate to the library? To give to a friend? To sell? They were her penance for being an only child.
Besides the books, there were the bank statements, deposit and withdrawal receipts, the stock trade confirmations, the brokerage statements, the documentation supporting tax returns going back forty years, in groups with frayed rubber bands holding them, stuffed into drawers, piled up on tables. Each document would have to be examined and shredded. Penelope hoped this time the shredder wouldn’t overheat.
She took the Times into the kitchen, put it on the table, and opened the refrigerator. No food from three weeks ago. She had emptied out the refrigerator shortly after Myra’s departure and kept it clean since. A box of crackers on the counter. An apple from her backpack. Rice cakes from her last visit. Enough to get her through tonight.
She sat down on the stool at the kitchen counter adjacent to a large window, opened the box of crackers, and watched as the city wound down. Cars passed uptown, tail lights blending into the night. The taxis with “for hire” signs shining yellow. The street lamps illuminated leaves gathered in clusters below abandoned branches. There were no stars, only streetlights and steel and brick and brown wooden water towers atop the buildings.
Saltines mixed on her tongue with the remnants of airplane peanuts. She bit into her apple and glanced at the Times. “House Votes to Avoid Shutdown, Senate Dooms Bill,” the front page said in big, bold letters. She folded the paper back up.
An open pack of cigarettes and a dirty ashtray rested on top of the microwave beside a faded, frayed book titled Cooking Like a Pro in No Time! She threw the pack away and dumped the ashtray into the trash, the smell of stale tobacco—Myra’s smell—clinging to her fingers. It was probably the last pack of cigarettes Myra opened, right before Frieda called that fateful evening.
Frieda came in to check on Myra five times a week for a few hours, to take her to appointments, do her laundry, cook for her, walk her around the neighborhood. On a Tuesday at the end of July, Frieda summoned the police after Myra didn’t answer the door, and a landline telephone rang four times before the machine picked up. Penelope sat on her couch in Portland, Maine, her legs involuntarily shaking, her hands and feet sensing every nerve, her throat tight with nausea, and Frieda on a cell phone while the police drilled a hole through the lock on Myra’s apartment door.
“They’re almost in,” said Frieda, as the sound of the drill echoed in the background.
Penelope’s heart numbed. “I’m prepared,” she said.
Frieda mumbled something and then returned her voice to the phone. “They’re in.” The muffledness came over the phone again, and then Frieda sang out, “I hear her.”
Penelope bolted from the couch. “What’s she saying?”
“She’s yelling,” said Frieda.
Penelope was pacing, her legs feeling like they had been wrenched from their sockets. “But what’s she saying?”
And then her mother yelled again, loud enough for Penelope to hear: “What the hell took you so long?”
“She’s alive!” Frieda said.
Myra had been tightly wedged between her bed and her dresser, contorted into a position no one could imagine how she achieved. She was taken by ambulance to St. Luke’s. Penelope was on the Jet Blue 6 a.m. to JFK the following day. Myra was hospitalized for a week with a fractured shoulder. Then it was rehab for another three, and then up to Maine to assisted living, to Whispering Pines, the only facility that, after reviewing the nursing notes—with notations about the constant Ativan and the necessary Haldol—agreed to take her.
Penelope washed the tobacco scent from her hands and turned off the kitchen faucet. The elevator sounded, then a noise in the hall. Voices, footsteps, the opening and closing of a door. The neighbors had come home, Saul and his wife, Karen. They owned a small one-bedroom next door. Saul was a portfolio manager by day and an amateur hard rock guitarist by night who wanted to build himself a practice studio. Myra’s ample two-bedroom would be perfect. Bring the floor plans, hire the engineers, break through a few walls, and, presto, you have a huge new apartment with a practice studio. After Myra’s mishap, Penelope received several calls from Karen, prefaced with “How’s she doing?” and “We were so upset! Please, give her our love,” which, after about three and a half minutes, transformed into, “By the way, is she coming back?”
_____________
Penelope was dreaming she was late for a class everyone had kept secret from her.
She ran through the school halls trying to locate the classroom.
“Ha ha, not there, little girl,” said her fourth grade English teacher, Mr. Steiner, every time she stopped in front of a door. “Can’t find it, can you? I’ll bet Emmanuel Sheppard knows where you should be.” But she couldn’t find Emmanuel either, and every time she thought she saw a little blond boy ahead, he would disappear around a corner and be gone by the time she reached it. The bell rang, first period was up. Everyone filed out of the building, ready for college. Except Penelope—she had to go back and take a test on the class she missed.
“But I don’t know what I’m doing,” she said.
“That’s your own damned fault,” Mr. Steiner said.
Penelope’s cell phone rang at 7:10 a.m., waking her. She knew who it was without seeing the number. Her mother still had enough cognitive ability to call. Of course her mother left a message. Penelope dialed in the security code and listened.
“This place is a prison,” said Myra.
The cold December draft from the window mixed with the stale steam apartment heat. Outside, a garbage truck growled deeply after a series of thumps from workers hurling trash bags into its belly.
“No one will give me a cigarette,” said Myra. “I want a goddamned cigarette.”
Penelope envisioned her mother, sitting on her new flowered couch in her new assisted living apartment, the smell of fresh blueberry scones baking in the facility kitchen downstairs, the sound of birds and squirrels outside her window, and Myra’s small, brown eyes perusing her surroundings with contempt.
“I want to go home. I deserve a cigarette.”
Click.
Myra’s doctor had put her on a nicotine patch to ease the cravings, which worked until she felt ornery, which was most of the time. Penelope pressed the button to shut down her phone. In her haste to get back down to New York, to get down to the apartment, she had forgotten that smoking cessation for Myra was not going well.
_____________
Morning light filtered in through the soot in the windows in the master bedroom. The high-pitched voices of children gathering at a school bus echoed from the street. At 8 a.m., Penelope reached for her jeans. There was instant coffee in the kitchen. Instant coffee with several store-bought Danishes had been a sufficient breakfast for Myra.
The kettle was on the stove. She spooned two heaps of instant coffee grounds into a clean mug. The chipped dishes could be thrown away. The large collection of empty jelly jars could reside nicely in the recycle bin. The ancient television in the living room could go to Goodwill. These things would give her a sense of accomplishment, a sense that she was plowing through the muck with courage and determination, making progress, making sense of the chaos. It was the books, the knickknacks, deciphering what should be kept, what should be sold, what could be packed off to Maine either in a suitcase or via movers that gave her angst. And the shredding. The endless shredding.
The coffee tasted like bitter, black chalk. The spoon went into the sink. She dug out four large plastic shopping bags from the closet and began to discard magazines.
Her mother subscribed to at least a dozen publications, only some of which she read. In recent years, Myra couldn’t refuse telemarketers calling and informing her that she could get two whole years’ worth of a subscription for only $19.95. The fact that she didn’t read Muscle Fitness or have any interest in it was irrelevant. Myra said she gave the copies to Hugo downstairs because he always seemed so strong, lifting packages and grocery bags.
Three and a half shopping bags filled easily. Time, Newsweek, US News and World Report, The Economist, The Week, Conde Nast Traveler, National Geographic, Women’s Health, Money, Muscle Fitness, Shape, and Playboy. Playboy? Perhaps Myra had confused it with Playbill when agreeing to place the order. Penelope then started into a pile which proved more complicated. Old concert programs. Could they be worth money? She decided not. Receipts with no identifying information on them: trash. Airline stationary from the days before personalized movie screens and tiny, crammed seats: trash? Letters between her parents during their courtship in the 1950s: keep. Definitely keep.
Four bags were enough for a journey to the trash room at the end of the hall. She gathered the bags at the entrance, placed her hand on the knob and was just about to turn when there was noise. A yap. The patter of paws. The slamming of a door across the hall. The ding of the elevator. Her hand sprung back from the knob. The peephole. She looked.
It was the man from across the hall and his dog. After Myra fell, he rang the doorbell every day to ask Penelope how Myra was doing, and of course, if she was coming back.
The elevator door closed with a mechanical thump. She turned the apartment door with one hand and with the other grasped the four bags of paper trash. But they were heavy. They had to be dragged. She took them with both hands. The sound of the bags scraping painfully through the hallway reverberated off the walls. Other people would be looking through their peepholes to see the cause of the ruckus. Her slippered feet ran over the marble, pulling the bags along, the sound searing her brain. Finally, she pushed the door to the trash room open and it moaned back in protest. Her foot propped open the door as she dragged the bags as carefully as possible to the blue recycle bin. The white lettering on the blue admonished all of New York to be responsible and recycle. A large sign on the wall from the building management announced, Be a Good Neighbor! Recycle! But the bags were weighty and the recycle bin was empty, and she winced each time a load made contact with the bottom. The trash room door moaned again on the way out. She scampered back to the apartment, and with quiet fingers, she closed the apartment door behind her.
Safety. She had visions of being trapped in the apartment by the fear of inquisitive neighbors, pestering her to know when and if and why her mother was coming back. Was it worth it? Sure, she could call the movers and have it be over. Confess, be forgiven, then be on her way. Let the landlord air-kiss her on both cheeks and then rub his hands over the thought of his forthcoming, easy $1.5 million that the apartment was worth.
No. She would weed and sort, discard and arrange at her own pace. And she would channel her inner Myra, and tell people to piss off if they had too many questions. And the more she thought about it, the more she felt righteous. There was so much work to do. So much stuff to go through. Endless stuff.
Pamela Stutch was born in New York City. As the child of two professional musicians, she grew up in the music business but writing was always her passion. She attended New York University and upon graduation, she worked for a music management company and then a recording studio. She was torn between going back to school for an MFA in Creative Writing and getting a law degree. She chose law but continued to write. After graduating from Temple University School of Law in Philadelphia, she relocated to Maine. When Pam isn’t writing, reviewing Stonecoast Review submissions, or working on material towards her Stonecoast MFA, she’s an attorney with the Maine Bureau of Insurance. Pam lives in Maine with her husband, son, one dog and one cat.