The Man in the Window Seat

By Robert Granad­er

He pinches and pulls at the pic­tures on his phone, deci­pher­ing them like code. Every now and then he gets dis­tract­ed and focuses on a back­ground: a pair of boots, a fancy car. But mostly he studies the face, as if he’s prepar­ing to write a dis­ser­ta­tion com­par­ing it to the Mona Lisa.
          His fingers move from site to site, photo to photo with the dex­ter­i­ty of a fifteen-year-old gamer.
          But he appears closer to my age.
          All I can see is an ear, closely cropped salt-and-pepper hair, and a three- day-old-stub­bled cheek. He looks to be chrono­log­i­cal­ly some­where in midlife, but he clearly works at staving off the aging process. My guess is there is a racquet and a bas­ket­ball float­ing in the back seat of his car, and he brings along a gym bag on busi­ness trips, even if it’s just overnight to Cleve­land.
          It’s incred­i­ble how much I can see from the middle seat I am wedged into. He is in the row in front of me, on the window, and we are at thirty thou­sand feet some­where over states where the SEC con­fer­ence plays foot­ball games.
          I don’t rec­og­nize the website; at first I think it’s some kind of porn where you can talk to the stars.
          “I’m on a plane,” he writes.
          Is he trying to impress her? I mean he splurged for the Wi-Fi? Big deal. Is this fore­play?
          Soon, I learn it’s a dating site and online dating is all about trying to impress with subtle brag­ging com­ments, pic­tures of fab­u­lous places, and expla­na­tions of how ami­ca­ble the divorce was or how bad the ex-spouse is.
          “Heading home from Florida,” he writes, then pauses. Then starts again: “I was in a soft­ball tour­na­ment.”
          This man whose name I will never know smiles at his message and sends it. The woman on the other end responds quickly about how she loves soft­ball: “My father taught me to throw, I played second base!”
          The look on the side of his face sug­gests he is pleased, like a fish­er­man who feels a bite. Soon he’s rifling through his photos and sends one. It’s a soft­ball team photo of other middle-aged men. His team­mates are mostly pot-bellied blokes who look more appro­pri­ate to aging soft­ballers, making him look all the better by com­par­i­son. In the photo they are all geared up for a game that, by their smiles, appears to be a very big deal.
          Either his inter­est waned or his ADD kicked in, but he flips to another woman and con­tin­ues a pre­vi­ous con­ver­sa­tion: “I have the kids every other week,” he writes.
          “I’ve got them five days a week,” she responds.
          “That sucks,” he writes and then winces after sending.
          “Your kids are adorable,” a message pops up, and he flips around to find the woman who wrote that.
          I’m not sure how it works, but there appears to be an endless supply of women on his phone. In my fifties, I know nothing of these apps; they were born well after my dating days ended. I have no famil­iar­i­ty with the screens, the log-ins, or whether one swipes left or right. This guy is a pro.
          What this man was looking for in these pic­tures I did not know, but I couldn’t help but think of all the things I didn’t know when I got married. The game of dating in my twen­ties wasn’t dif­fer­ent just because it was thirty years ago, but rather because of who I was back then, all hopped up on all the things that feed into bad deci­sion-making: adren­a­line, testos­terone, and youth­ful exu­ber­ance.
          This guy has history and mis­takes to give him per­spec­tive.
          Back then there were no pic­tures to pinch, no pro­files to read, no likes or dis­likes, no swipes or emojis. There was no way to meet people when you trav­eled to a new city except through serendip­i­ty or awkward bar con­ver­sa­tion.
          But here is this guy meeting more women in one flight than I met in all the bars, all the blind dates, all the classes, the dorms, and diners in the years I was single. I met Terri the old-fash­ioned way: we had friends in common. A group of us met up at a bar called the 21st Amendment—only in Wash­ing­ton, DC could there be a bar named for the amend­ment ending Pro­hi­bi­tion and every­one gets the joke.
          We dated, fought, broke up, then married, moved to the suburbs, and had kids, all by the time we were thirty. And now, in our mid-fifties, some­thing stopped. I still love her but we are living side by side. But isn’t that how it is at this point? What had been a happy family of four is now four indi­vid­u­als where the kids live on each coast and the two adults live in sep­a­rate sec­tions of a half-aban­doned house.
          Terri’s ubiq­ui­tous white AirPods are a message that she isn’t in the “talking mood.” She plugs in while she’s cooking dinner; she plugs in as she and her second glass of white wine waft into a sitting room.
          Frus­trat­ed, at first I’d march into my office and bury myself in work papers. She doesn’t turn off the lights or let out the dog, she just goes upstairs at some point and gets into bed. I know this from the sound of the water in the faucets and the small sound machine that fills our bedroom with white noise.
          It’s a sign that it’s okay for me to leave my room, maybe finish my half glass of red wine, close up the house, and make my way upstairs, where I feel around for my bed in the noisy dark­ness and slide under the cool sheets.
          But the man in the window seat is far from this. He is focused and busy, his hands working in over­drive, as if he needed to find a mate before we land in Detroit. Frus­tra­tion bur­nished on his face. He either wasn’t seeing what he liked or finding what he wanted when he pinched and zoomed on the profile.
          I real­ized how little I know of his life. Not because I have no idea who he is and could only iden­ti­fy him by a birth­mark just under his right ear. But because men don’t talk about divorce and dating, even though the number of divorced friends in my orbit has grown in recent years. At our twen­ti­eth wedding anniver­sary, there were less than a handful of divorced friends. And most of those didn’t make it out of the start­ing gate—a year or two into mar­riage, no kids, still renting. A mul­li­gan.
          But as our thir­ti­eth anniver­sary approach­es, the ranks grow.
          When you divorce in your fifties, it counts. There are chil­dren to tell, real assets to split. I thought more would divorce when the kids were young, money strug­gles in full force and the chal­lenge of the chil­dren. In our thir­ties and forties we rec­og­nize the dif­fi­cul­ty of making ends meet finan­cial­ly while bal­anc­ing a sat­is­fy­ing mar­riage and work life. But we blindly think that is the way it is sup­posed to be at that age.
          However, as we sink deeper into middle age one begins playing the “back nine,” and you ask dif­fer­ent ques­tions. Am I happy? Is this the life I want? Why am I not happier? And you go search­ing.
          At this age the chal­lenge of answer­ing the unan­swered ques­tions of adult­hood begins.
          Divorce is still a mystery. I’ve asked almost all my divorced friends the same ques­tion: How did you know it was over? Rarely, if ever, do they have an answer. There was no moment, no act of betray­al. Instead it was like a Jenga tower falling, the accu­mu­la­tion of so much, and then the taking away of the impor­tant parts.
          For some there was an event: an infi­deli­ty, any­thing from a ren­dezvous outside a restau­rant, a hand on a thigh, to a full-blown rela­tion­ship that was admit­ted out of guilt or found out of reck­less­ness.
          But my male friends are pretty close-mouthed. I hear some­thing from my wife while she is on the phone in hushed tones with other women from the neigh­bor­hood.
          And then the even more distant planet of affairs: “How did it start?” I asked out of sheer fas­ci­na­tion.
          The only one who ever gave me a glimpse is my college room­mate Greg. I’m a safe one to tell because we live in dif­fer­ent states, his wife never liked me, and there’s enough history for me to ask ques­tions like this and for him to satisfy me with a drop of juice.
          “How did it start?” I ask on one of our annual golf trips.
          He didn’t say any­thing at first. We’d been drink­ing much of the day, and my guard was down and I guess his was too.
          “What a risk,” I say too loud and with too much judg­ment. “I remem­ber the fear of aching to kiss Laura Madison in seventh grade, and the stakes were puny.” My only risk was the sting of humil­i­a­tion during the walk of shame in those long hall­ways.
          But the risk of attempt­ing to kiss a woman who might know you’re married or a friend’s wife, someone in your orbit—a wrong read, and the results could be cat­a­stroph­ic.
          “You know how many friends I have whose wives don’t want to fuck them?” he said without emotion. “When we were first married, I remem­ber stand­ing at my sink brush­ing my teeth, and at the other sink was my wife washing her face, naked. Can you imagine a world where I could brush my teeth and look at a naked woman?”
          He never tells me how it hap­pened. I think he was jus­ti­fy­ing it.
          “Any­thing to drink?” the stew­ardess asks the man in the window seat for the third time. He takes his ear pods out and looks annoyed. He waves her off. His wave is unpleas­ant, dis­mis­sive, rude, but I am filled with a mixture of sym­pa­thy and admi­ra­tion for the guy. He is locked into his world of finding a spouse, a mate, a partner. He is no dif­fer­ent than the animals I see on Animal Planet search­ing for a mate. Unlike­ly to repro­duce at his age but he wants all the things a partner pro­vides, includ­ing secu­ri­ty, peace of mind, a person who knows when you’re landing.
          Sud­den­ly his fingers stop moving.
          The man in the window seat has stopped search­ing for now. Not because he has settled on someone or some­thing, not because he found some­thing deep inside those pic­tures. On his screen is a family photo. I lean forward to see if I can age it, how long ago it was taken, with him as my only marker of time in this world where my view is as tiny as the slice of sun that reaches me from the window, lights up his phone, and reflects back.
          It’s an outdoor picture, a back­yard shot, maybe from a holiday; the leaves are chang­ing, it’s fall in the Midwest. I don’t know the year. His hair is longer and darker in the photo. There are three chil­dren. A woman is seated, two boys in their early teens stand­ing on either side of her; a girl a few years older stands next to her father.
          He is not pinch­ing and prod­ding this photo. He knows it all too well, includ­ing the players who line it end to end. But there is a wife, and I wonder what that means. Is this an old photo stuck in his images, or is there more to the story? Maybe I’ve misread him.
          Maybe his wife cheated on him and he is just trying to get his footing on this slip­pery rock.
          Oh God, maybe she’s dead, gone from cancer or a car wreck, and this poor guy is burying himself in flashes of women to make the pain go away.
          No, his wife went missing, and he is search­ing for her. That’s the pinching—he only finds women who look like her, dark hair, round face, big eyes.
          Any of these can be true, but it’s prob­a­bly just divorce. He stares at the picture. He is sad, not tearful, but longing maybe? And then he looks out the window at the clouds.
          Is this what he does when he tires of search­ing? He goes back home? Or is he rethink­ing every­thing? Is there a chance to save the mar­riage?
          Wait. He told one of the women he shares custody. These kids would be in college by now. What’s he telling them? He’s too hand­some to be this lonely, but he is lonely, I can feel it in my bones. Every other picture is like porn. He is looking for some­thing he likes, but now he isn’t looking for any­thing.
          The man in the window seat stops ana­lyz­ing the clouds, and his family recedes again as he scrolls up and looks at the photo of another woman. He simul­ta­ne­ous­ly pulls it close, squints, and pinches it to zoom. This woman appears to be in her forties or fifties. It’s only from the waist up, and she is wearing some sort of wrap. Her top is covered by a black one-piece bathing suit. She is wearing a wide-brimmed hat and large, Jackie O sun­glass­es.
          His name is Ron, as I can see from the way he signs his texts, but to me he is the man in the window seat. It’s Feb­ru­ary and he is trav­el­ing from sun­shine to rain, from heat to cold, from blue to gray.
          Why do I spend so much time on this guy?
          Because this is what I do.
          I can hear my wife’s voice in my head: “Stop looking in other people’s windows.”
          And my inter­est? Always a voyeur, my wife would scold. A night­time walk with the dog and my wife, when she used to join me. When it was dark outside in the fall, bright lights inside all these houses illu­mi­nat­ing the inte­ri­or, the par­tic­i­pants. Not the scene, but the actors.
          “Don’t put the shade down,” I say to the couple in the upstairs bedroom who have been arguing, as our dog, Nippy, pees on every flower and tree trunk along the way.
          “What are you looking for?” she’d ask. And I strug­gled to answer.
          “A naked back, the side of a boob?” she’d chide.
          “I don’t look upstairs,” I tell her, jus­ti­fy­ing my inter­est. “I just wonder what every­body else does. You know, with their free time. I think it’s pretty normal.”
          “It’s not normal and stop looking.”
          “Do you think I don’t look when you’re not here? So what’s the dif­fer­ence?”
          “It’s weird and I don’t want to see it,” she says.
          “I’m looking straight ahead, I promise.”
          I look around the plane. Every­one is plugged in to some­thing; their ears or their eyes are covered. Either sleep­ing or watch­ing, almost no one is even reading, let alone reading their neighbor’s phone.
          But the man in the window seat in the row in front of me, who hasn’t looked up long enough to know if he’s sitting next to a man or a woman, studies a new face. Is he looking for signs from above? What can he pos­si­bly get from looking more closely into a picture that was taken long before she posted it, before she cropped it and cleaned it up around the eyes and the thighs?
          Even though I can’t see his eyes, I notice some squint­ing. He’s looking for some guid­ance, some­thing he isn’t getting from the text exchange.
          Does he think the closer he gets to her face, the clearer the signs will be? Will he find out from her face that they will be com­pat­i­ble? Does he read lines? Is there some­thing in the back­ground of this staged and air­brushed photo that will tell him she will be a good partner, and never cheat on him, and be good to his kids, and help him later when his parents are sick, and under­stand that there are times when he’s just scared?
          He leaves the page and moves on to another woman without fin­ish­ing the con­ver­sa­tion.
          On the other end of his text chain is a woman waiting. If he decides to drop the pre­vi­ous woman he can blame it on unsteady Wi-Fi.
          Every view I get of what he sees is dis­tort­ed by my aging eyes, dis­tance, incon­sis­tent light. But the picture he lands on is famil­iar.
          The curly hair in this picture I know as if it were my own, but more than that, I rec­og­nize the sur­round­ings. I rec­og­nized it because I’d paid for it, I’d lived it, I’d known it. I wanted to tell him to move his hand because I needed to see some­thing. I think that was our old dog in the back­ground. The little mutt had been dead five years; that picture was from Thanks­giv­ing almost ten years ago.
          I wanted to tell him that’s an old picture, and she pho­to­shopped out some people, and wait, those are my dis­em­bod­ied fingers on her shoul­der before she wiped her family out of the photo. The mul­ti­col­ored paint­ing in the back­ground we bought togeth­er at a street fair in Green­wich Village. The rug was the first thing we pur­chased for that room. She’d told me: “You build a room around a rug.”
          He is study­ing the picture, he is study­ing my wife! I freeze. I can’t say any­thing to him, I can’t breathe. It’s another hour until we land. I’m sweat­ing and my heart is pushing my chest in a way that makes my shirt heave.
          Maybe I’m wrong. It’s getting dark on the plane, and my eyes are tired from all the squint­ing and peering. My con­fi­dence in what I’d seen shat­ters. I don’t know what he was doing. I don’t think that’s my wife. I don’t know any­thing about him or about me.
          He swipes and a text quickly pops up.
          “Hey,” is all she types.
          “Hey,” he writes back. “I think we have a lot in common.”
          Usually this is the moment when he switch­es to another woman and starts an addi­tion­al con­ver­sa­tion. Instead he puts the phone down on his lap, takes a deep breath, and stands.
          Wait, where is he going?
          My gaze follows him to the back of the plane and the bath­room.
          He’s going to the bath­room with his phone. What if he has the con­ver­sa­tion in there? What if he talks to my wife while he’s on the crapper, and I’m sitting out here in a middle seat like an idiot?
          She would never go for him, I con­vince myself, as if that’s the most impor­tant thing going right now, not that she’s on a dating app in the first place. If he starts sending her his soft­ball pic­tures, I’m gonna laugh because that’s what she’d be doing too.
          He’s in the bath­room for what seems like hours, but it must have been minutes, and when he returns he leaves his phone in his pocket. For the first time in more than an hour of flight time, he is no longer inter­est­ed in explor­ing the various faces and bodies of the women who cross his digital path.
          I am staring at him now, hoping my vision radi­ates his body like Super­man and causes him to either go blind, so I can delude myself that this never hap­pened, or open up his phone so I can see how this story ends.
          Like any addict, he resumes, popping open his phone and chat­ting up my wife.
          “Have we met before?” he asks her. I guess their names aren’t given, but there must be some inkling of recog­ni­tion.
          “I don’t believe so,” she says. She doesn’t even talk this way; nor­mal­ly she would just say, “Hell no.”
          “Are you divorced?” he asks.
          “Sep­a­rat­ed,” she answers.
          Sep­a­rat­ed? We are not. I just left for a meeting in Florida, and I’d be back home in a couple of days. We are togeth­er, we are married, happily married.
          “My wife died,” he tells her.
          That’s a lie. He told the other woman, the one with the bushy hair, that he has the kids fifty-fifty. His wife isn’t dead. And he told the other woman, the one who clearly got a bad nose job, that his divorce was brutal, and that’s why he isn’t sure he wants to marry again.
          And now he’s telling my wife he’s a widower?
          He’s sick.
          “How long have you been sep­a­rat­ed?” he asks.
          “Not long,” she says.
          “What hap­pened?” he asks.
          “Nothing,” she writes, “you know how it is.”
          “Do you think you’ll get divorced?” he asks.
          She seems to ignore him.
          I’m waiting, he’s waiting. There are no dots like with a text when people are writing. We are in a nether world of not knowing if she is writing, waiting, gone else­where. We hadn’t noticed that we’d gone below ten thou­sand feet and the Wi-Fi had dropped. Calls were done. He had no way of knowing. I had no way of knowing.
          I am in dark­ness. The plane is about to land. He’s been cut off, and I’m unal­ter­ably severed from his world, my world. The plane screech­es down unevent­ful­ly, and I stand well before our row was ready to leave, inching my way to the aisle. The man in the window seat is obliv­i­ous to my stares, as he is to every­body he leans over and bumps into.
          I race past some people as we exit the plane. I can now see his full face, hus­tling to keep up with his aggres­sive and ath­let­ic stride. I have no luggage but follow him to baggage claim as he waits and resumes the hunt.
          My wife has resumed typing to him but I cannot see his phone. I am no longer hidden in the shadows of the eigh­teenth row. Now I am next to the man from the window seat and he can feel me. I usually alert my wife when I land but I’m afraid, I don’t want another awkward con­ver­sa­tion, another argu­ment, another problem. I just want things to be normal again. Like they were before the fights, before the last kid went off to college. I knew I was unhappy, but I didn’t know she was this unhappy.
          “I love you,” I type into my text. I forget to say I landed. I search for the emoji, the heart, the smiling guy with the hearts in his eyes, and send it.
          She calls.
          I’m nervous to pick up, but I do it after the first ring.
          “What the hell is this?” she asks.
          “What?”
          “Do you know the last words you said to me?”
          “I don’t remem­ber.”
          “Because it wasn’t goodbye when you left, because you didn’t say goodbye,” she screams. “And it wasn’t good-night the night before you left. And then you were gone for three more nights, and there were no words, no emojis, and for sure there were no hearts.”
          “I missed you,” I said.
          “Fuck you, Jimmy. I’ve missed you for the past two years. Ever since Eden went off to college. Now you miss me? Why?”
          It was as if she’d known why I said I missed her, like she knew I’d been looking, watch­ing, over the shoul­der of the guy in 17C.
          “I’ve been waiting, and you weren’t in the mood to give. All of a sudden you miss me? All of a sudden you love me?”
          “I’ll be home soon, we can talk then—” But before I could finish, she hung up. I needed to get home and see her. Did I miss her or was I just mad at the guy in the window seat?
          She was right. I haven’t spoken to her in three days. Did I try calling her? I look up and the guy from the window seat is gone. I don’t know where he went, back to his old world. But I can’t get back to mine.

 

This story orig­i­nal­ly appeared in Stonecoast Review Issue 20. 

Photo by Firmbee.com

© 2024 Stonecoast Review. Indi­vid­ual copy­rights held by contributors.

The Stonecoast Review is the lit­er­ary journal of the Stonecoast MFA at the Uni­ver­si­ty of South­ern Maine.